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In the Open Gallery
Flesh and Bone is a show of two separate, yet complimentary, bodies of work by two unique artists that viewed side by side reminds us of our own mortality and suggests that perhaps beauty is not only skin deep.
Human beings are wonderful actors. Our masks help us get into character and we call on our counterpart as needed to act out the scene as the script requires.
The paintings seen here represent my growing attention to landscapes, with nearly all subjects being only minutes away from my west Niagara studio.
UPCOMING Exhibits
October 29th – November 30th
FLESH & BONE
Jane Derby and Margaret Sutherland
October 29th – November 30th
COUNTERPOINT
Teri Wing
As well
a MINI-SHOW with our newest artist
CANADIAN SUBLIME
Large Landscapes by Bruno Capolongo
Featured Artists
Teresa Mrozicka, based in Sydenham, Ontario, is perhaps best known for her unique three-dimensional pointillism. Always developing her practice, Mrozicka continues to explore new techniques, returning often to familiar themes, and creating rich and energetic works which pulse with soul.
Making the invisible visible is central to my music inspired works, and the writings of these experts have supplied infinite inspiration.
Bruno Capolongo is an established artist of Neapolitan descent whose work is collected by private and corporate collectors in addition to a growing list of public galleries and museums.
Kingston-based artist, Lee Stewart was born and raised in Kashechewan, a small remote reserve on James Bay, Northern Ontario, spent years in the Rideau Lakes region, and studied art history at Carleton. Stewart’s cultural influences are as vast as his experience, without hierarchy or elevated status. As a self-taught artist, Stewart’s experimentation, innate curiosity, and openness continue to shape his evolving style.
Newsroom
Rapin’s paintings compel associations that skip like a stone across the pond of memory and insist on a response.
Today Capolongo is perhaps best known for his classic still-life paintings featuring elegant oriental pottery, but recently he has also been painting landscapes in oils and acrylics. His patient approach to creating both still lifes and landscapes is a virtue that viewers can observe and savor.
What does it mean to have a strong personalized vision in the face of decades of stylistic traditions and particular expectations about cultural art production?
There are some artworks that grab you immediately when you first encounter them. There’s sometimes no rhyme or reason to it, and it might be something that is completely outside of what you think you normally like, but there it is – you’re smitten. By the same token, there is some artwork that you don’t think much of, at first glance anyway. But your eyes keep sliding back to it, again and again, though you’re not sure why. Intrigued, you return to the artwork to look at it more closely, to pay attention to it. These are the types of...
