Throughout February 2023 ~ Visits to the gallery are by Appointment Only In-Person or Zoom Appointments Available When requesting appointment, please specify the artwork(s) you are considering purchasing.
This new exhibit will be JT Winik's 3rd solo exhibition with Studio22 Fine Art. This latest body of work addresses the challenges of painting abstracts vs figurative works as well as speaks to the interplay between them and how working on both influences the processes of each.
Winter 2022-2023: Artist Portfolio Series
Our Winter Artist Portfolio Series shows the most recent works by our represented artists for Winter 2022-2023 (December, January, February).
Margaret Sutherland – Normal Abnormal
This new exhibit will be Margaret Sutherland's 3rd solo exhibition with Studio22 Fine Art. This latest collection of work traces the artist's challenging and frequently interrupted artistic and personal journey of the past three years.
Ran Jacob is an emerging abstract painter and drawer currently residing in Kjipuktuk (Halifax, NS).
Keight MacLean is a Toronto based painter, originally from the Kingston region, an alumna of OCAD University and the school's prestigious Florence Program. Intrigued by our connection to the distant past and the historical treatment of women, MacLean’s work combines elements of Baroque and Renaissance painting with modern and experimental techniques.
Kinston based painter JT Winik seeks to capture the fine balance that binds opposites. A keen observer, her paintings merge beauty and awkwardness, freedom and control, fragility and strength, often evoking a strong emotional sense of discomfort in their portrayal of beauty. Highly regarded, her paintings are shown in Canada and Europe, and featured in magazines, books and book covers, internationally.
Margaret Sutherland is one such artist who sought varied means to engage with her art production in relative isolation. The results of her challenges were in an exhibition at Studio 22 on the Market Square, which ended on Friday. Titled “Normal/Abnormal,” the exhibition traced (in the artist’s own words) her “bumpy, frequently interrupted artistic and personal ride of the past three years.”
Much of her art practice is an exploration of music and its many facets whether it is a particular musical work, a structure of music or a composer's creative process. . . . She is a great believer in connections and cross pollination between art forms as she relies on a lifetime of aesthetic influences.
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