Tag: acrylic painting

  • In Her Golden Land

    In Her Golden Land

    The Artwork

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    IN HER GOLDEN LAND

    Paintings by Teresa Mrozicka

    In Her Golden Land by Teresa Mrozicka will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit falls under Studio22’s 2020 vision idiom Seeing Eye to Eye and is showing concurrently to Guitar and Moons by Vadim Vaskovsky.

    Preview and presale for this exhibit will take place from Tuesday, July 7th to Friday, July 10th.  Normal gallery hours will resume July 7thand exhibits open to the general public for purchase on Saturday July 11th.   On this opening day, the gallery will be holding a Drop Across with the artists in attendance from 1 to 4 pm.  Numbers will be monitored for safety but all are welcome to stop by to meet and speak with the artists and view the exhibits.

    In Her Golden Land.

    The Land I have the privilege to work on has its own body, spirit and mind. In summer I work with the tangible, taking care of my garden. It involves planting, sowing, weeding, watering, and finally harvesting. In winter I work with the metaphysical – “gardening” in the Land of vivid colours, shapes and imagination.

    I paint seasonally, staying in touch with the spirit and mind of the Land. 

    Fully present in all seasons,
    She is my muse and my work companion.
    I grow vegetables so that my body can be sustained.
    I plant flowers for my soul to experience beauty.

    I practice painting to connect with the spirit of Her Land.

     

    Bio

    Originally from Poland, Teresa Mrozicka received her training in fine arts at Nicolaus Copernicus University in Torun, and  graphic arts at George Brown College in Toronto.

    “I feel very fortunate to live in Canada, a country that has given me the opportunity to follow my passion. Growing up in a small town in Poland I didn’t have the opportunity to see original paintings of great masters, but that didn’t stop me from looking at the reproductions of famous paintings for hours. Right there the passion for art was born. The colour, texture and form was so vivid and rich, the impression on my mind so deep and intense, I thought that only a very gifted person could become an artist, never considering becoming one myself. Then life took its course and led me to studying and later practicing painting. Having been painting for more than 30 years, I came to the conclusion that it’s not skill or technique that is crucial, but … the passion to be creative and expressive in every step of life and to have the courage of tuning inwards and enlivening the spirit”.

    Mrozicka lives in a country home north of Sydenham, Ontario, where she is doing two of the things she loves the most – painting and gardening.

  • What lies beneath – by Kamille Parkinson

    What lies beneath – by Kamille Parkinson

    https://www.thewhig.com/entertainment/local-arts/what-lies-beneath
  • Studio22 confronts self-image in newest exhibits – Queen’s Journal

    Studio22 confronts self-image in newest exhibits – Queen’s Journal

    https://www.queensjournal.ca/story/2019-11-14/arts/studio-22-confronts-self-image-in-newest-exhibits/
  • Bones of the Earth

    Bones of the Earth

    Paintings by LW Foden

    Opens March 12th ~ Runs to April 13th

    Previews and Pre-sale – March 12th to March 15th

    LW Foden, Larry Foden – Foden to everyone who knows him – has a long association with the gallery owners.  A limited selection of his work has been show at Studio22 over the years – a few prints and one large, expansive canvas – giving us a nibble but not enough to sink our teeth into.  Now, after several years of plotting and planning, Stingio22 is finally in a position to bring an entire body of work from this BC artist to the gallery in Kingston, Ontario.  The West has come East.

    Throughout his career, LW Foden has managed to capture the human element of some of Canada’s unique views — but you won’t find a single person in his work. Born in Belleville, Ontario and raised in Kapuskasing, Foden grew up surrounded by vast forest and waterways. He considers those views to be his first inspiration. 

    I see figures [in the earth]. I don’t necessarily exaggerate them or in any way set them apart but they are there.

    Foden spent much of his life working and developing as an artist in Toronto. In 1994 Foden visited a friend on Galiano Island, British Columbia. What started as a six week vacation became a permanent home. He heard about a small cottage on the seaside overlooking the Georgia Strait and jumped on the opportunity. Still on the island today, his address has only changed once. He lived in that very cottage for over 20 years and now lives centrally in the small town on Galiano.

    These are the building blocks of the world. I see it in a sort of archaeological kind of way. I guess that’s how I see it; these are the bones of the earth.

    Foden’s current body of work is Galiano. Bones of the Earth is a collection of paintings from his years on the Island. This is where you’ll see his ability to anthropomorphize landscape.  The relationship between the rocks and the sea is captured from the vantage of his cottage on the shore. In the 20 years he spent with that view he watched the constant of the rocks and the change of the sea and imagined the lifetime they lived together before he came along.

    Bones of the Earth can mean something as simple as the physical components that make up our landscape but it can — at times — be about the deeper story behind those components. 

    Sometimes I get caught up with mythology and stories and sometimes it’s just big rock in the water.

    Foden’s work resonates with residents of Canada, even to those unfamiliar with the west coast.  It is our sky, our waters.  His work, now available for sale in Kingston, Ontario, gives buyers the opportunity to have a piece of the west coast here in the east.

    L.W. Foden attended the Ontario College of Art in the early 60s and later studied at the Vancouver College of Art.  He was the lead costume designer in the University of Windsor’s Theatre Department for three years and was later the Props Master at Toronto’s Centre Stage Theatre for two years.  In the early 80’s, after many years of exploration in a myriad of art forms, he devoted himself to painting by establishing a studio in Toronto where he worked for over a decade before resettling on Galiano Island.

    The Artwork

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  • HAUNTED GRAFFITI – New paintings by Lee Stewart

    HAUNTED GRAFFITI – New paintings by Lee Stewart

    May 8th to June 9th, 2018

    A HAUNTING REFLECTION IN PAINT 

    Studio22 Open Gallery is delighted to present HAUNTED GRAFFITI, a collection of new work by Kingston-based artist Lee Stewart. 

    Large canvases set the scene for this collection of provocative narrative paintings from emerging artist Lee Stewart, demonstrating his cinematic approach to composition, both in content and form. Rarely do such varied subjects come together in a studied and cohesive body of work, and yet Stewart manages to lend his signature ability to consume and distill disparate cultural forms, from classic films and art history to folklore and pop culture, and to imbue them with something akin to reverence. 

    In isolating his subjects, Stewart presses pause on his active mind and concentrates his auto-didactic artistic skills on executing paintings with minute detail and significant impact. In one of his large scale works, for example, Stewart depicts two deer, captured in a moment of stillness and vulnerability. His attention to minutiae is beautifully on display here, as the viewer begins to notice thumbnail size details emerge. The impact of the work is clear: like a camera zoom, it is a long and slow reveal. It commands the viewers attention and asks that we take the time to contemplate how moments in life reveal themselves to be far more than we initially apprehend, when we allow ourselves to be drawn in. 

    In another variation on this theme, an intimate portrait of Michael Jordan crying, Stewart references popular culture, employing this snapshot of celebrity in the service of exploring a deeper reality. Here Stewart’s keen awareness of human emotion is on display; calling into question the reduction of a human life to a single moment in time which betrays the truth of their complex nature. 

    The bright, often fluorescent, colour palettes of Stewart’s work suggest a manner of playfulness, which he juxtaposes with the more serious themes he explores. He is discerning, yet refreshingly able to avoid the trap of hierarchical thinking. Almost nothing escapes his gaze and consideration. A self-portrait by the artist, entitled Auto-Retrato is an amalgamation of Stewart’s own countenance in the form of Diego Valázquez, a painter from the Golden Age of Spanish painting; an auspicious synthesis which suggests a prosperous career for this young, but impressive artist. 

    The Artwork

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