Category: Artists

  • JAZZ – TEARS AND SMILES

    JAZZ – TEARS AND SMILES

    New paintings by Neli Nenkova

     

    Bold, vibrant and striking are just a few words that come to mind when describing Studio22’s latest exhibit by the talented visual artist, Neli Nenkova. The new solo exhibit entitled JAZZ – TEARS AND SMILES will be on display from April 23rd to May 25th and will feature twelve 24” x 36” paintings of some of the greatest jazz musicians of all time.  The large acrylic paintings go on sale to the general public on April 27th and accessibly priced poster art of some of the originals will also be available for purchase at the gallery. 

    Jazz – Tears and Smiles, is an exhibit that appeals to both jazz lovers and art collectors alike. As is the music commonly referred to as ‘jazz’, Nenkova’s latest body of work is full of range, diversity, richness and beauty.  Nenkova’s pieces do more than visually captivate the viewer; through the use of vibrant colour and brushstroke, the artist’s work succeeds in not only capturing the improvisational element unique to this music genre, but also immortalizing the soulful creativity of these larger than life legends.

    “Billie, Ray, Ella, Louis, Etta, Chet, Miles, James, Aretha, Amy, Frank and Nina have pushed me to question and rediscover myself artistically by using a novel painting style that aspires to mirror their purity, expressiveness and force of feelings. Their songs often born from vastly painful experiences contrast beauty and sadness through the inner power of each performer. It is that energy extended to the listener my paintings seek to highlight becoming a visual representation of the bittersweet excitement we all know and love as Jazz.” – Neli Nenkova

    Nenkova’s inspiration for these works are revealed in the titles of her paintings.  From “What a Wonderful World” to “Love is a Losing Game”, the essence of these songs are played out on the faces of their messengers.  There is pleasure and there is pain – tears and smiles.  Nenkova’s stunning canvases invoke the feeling of pure joy one gets when listening to these great masters of Jazz.  She extends the vibrancy of their songs and reminds audiences to revisit their timeless musical heritage.  Nenkova succeeds in making the images of these artists as iconic as their music.  

    Jazz – Tears and Smiles is on exhibit from Tuesday, April 23rd until Saturday, May 25th.

    The Artwork

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    Neli Nenkova is a Sudbury based visual artist with more than 20 years of art experience in Europe and Canada. Nenkova is also a Provisional RGD Graphic Designer. She hold a Bachelor’s Degree in Fine Arts and Fashion Design, as well as an Advanced Diploma in Graphic Design. Nenkova is a recipient of numerous art and design awards, with the latest including: OSA 7th International Miniature Print Biennale- Winner Category Intaglio, Ottawa, Canada; 50 Carleton Award for Logo Design and Studio123- Design Award for Northern Ontario. In 2016, Nenkova was one of seven finalists in the national competition for a new tourist logo of Bulgaria organized by Ministry of Tourism of Republic of Bulgaria. Neli Nenkova’s paintings are in public and private collections in France, Bulgaria, Italy , Germany, Greece, USA, Japan, Turkey, the Vatican and Canada.  

  • Signs & Symbols of the Imperceptible

    Signs & Symbols of the Imperceptible

    A Selection of Paintings by Ingeborg Mohr

    Opens March 12th and runs to April 13th

    Previews and pre-sale will take place March 12th to March 15th

    To celebrate the launch of its 2019 season, Studio22 Open Gallery is delighted to offer the Kingston community a unique opportunity to discover and explore artwork from the late Ingeborg Mohr with a new solo exhibit that will run from March 12th to April 13th. . 

    As this will be the first exhibit for Studio22 that examines the work of a deceased artist, the exhibition entitled Signs and Symbols of the Imperceptible will feature a selection of paintings from Mohr’s vast personal collection of unsold work. For those unfamiliar with Mohr’s work, this show will serve to introduce the South Eastern Ontario community to a new artist, perspective and hopefully source of great pleasure over the coming years as Studio22 continues to build and grow its relationship with the Mohr family as well as continues its exploration into this prolific artist’s expansive body of work.

    Ingeborg Mohr began her artistic career producing watercolour paintings inspired by the landscapes of her childhood in Austria as well as day to day life when she moved with her husband and three children to Saskatchewan. It wasn’t until she moved to Toronto in 1955 and encountered the work of the Painters Eleven that she began exploring the variable physical characteristics of paint and colour as a means to convey pure emotion over profound meaning. 

    As can be seen throughout the selection of work in Signs and Symbols of the Imperceptible, Mohr did not approach her craft to create meaning for the viewer. Instead, through the purposeful use of layering and colour, the artist was on a quest to discover the essence of her own existence and, more importantly, uncover truths about the human condition. 

    When asked about the meaning I had intended to express in a certain painting I have to give the often disappointing answer that no meaning had been intended and no outcome had been foreseen before or while working. What I do hope for, however, is that the final result- the new object that has come into being- will exceed me in depth and reach. – Ingeborg Mohr, Notes on Painting, March 2000

    It is only when standing directly in front of one of Mohr’s pieces that one can truly appreciate the beauty of the unanswered questions, embedded in the layers of paint and left behind for us, her audience, to dissect and absorb. The viewer is drawn into the canvas with curiosity, enraptured by the complex composition of the artwork and fundamentally moved by the personal revelations of the artist. Signs and Symbols of the Imperceptible, is an exhibit full of promise, longing and mystery about one woman’s quest for self exploration that ultimately crosses the boundaries of time and space.

    The Artwork

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    Ingeborg Mohr was born in Innsbruck, Austria in 1921. Over the course of her notable career that spanned four decades, she produced hundreds of paintings that now hang in private and public collections in Europe, Canada and the United States. She was elected to the Ontario Society of Artists in 1975 and to the Royal Canadian Academy in 1980. In 1981, Mohr moved to Howe Island with her husband and the couple converted an old barn into an impressive home, studio, and gallery space. Mohr held several successful exhibitions of her work in the space, while continuing to show at other galleries, such as the Edward Day Gallery in Kingston before it closed and was re-opened in Toronto in 2003. Ingeborg Mohr passed away in 2004. 

  • Bones of the Earth

    Bones of the Earth

    Paintings by LW Foden

    Opens March 12th ~ Runs to April 13th

    Previews and Pre-sale – March 12th to March 15th

    LW Foden, Larry Foden – Foden to everyone who knows him – has a long association with the gallery owners.  A limited selection of his work has been show at Studio22 over the years – a few prints and one large, expansive canvas – giving us a nibble but not enough to sink our teeth into.  Now, after several years of plotting and planning, Stingio22 is finally in a position to bring an entire body of work from this BC artist to the gallery in Kingston, Ontario.  The West has come East.

    Throughout his career, LW Foden has managed to capture the human element of some of Canada’s unique views — but you won’t find a single person in his work. Born in Belleville, Ontario and raised in Kapuskasing, Foden grew up surrounded by vast forest and waterways. He considers those views to be his first inspiration. 

    I see figures [in the earth]. I don’t necessarily exaggerate them or in any way set them apart but they are there.

    Foden spent much of his life working and developing as an artist in Toronto. In 1994 Foden visited a friend on Galiano Island, British Columbia. What started as a six week vacation became a permanent home. He heard about a small cottage on the seaside overlooking the Georgia Strait and jumped on the opportunity. Still on the island today, his address has only changed once. He lived in that very cottage for over 20 years and now lives centrally in the small town on Galiano.

    These are the building blocks of the world. I see it in a sort of archaeological kind of way. I guess that’s how I see it; these are the bones of the earth.

    Foden’s current body of work is Galiano. Bones of the Earth is a collection of paintings from his years on the Island. This is where you’ll see his ability to anthropomorphize landscape.  The relationship between the rocks and the sea is captured from the vantage of his cottage on the shore. In the 20 years he spent with that view he watched the constant of the rocks and the change of the sea and imagined the lifetime they lived together before he came along.

    Bones of the Earth can mean something as simple as the physical components that make up our landscape but it can — at times — be about the deeper story behind those components. 

    Sometimes I get caught up with mythology and stories and sometimes it’s just big rock in the water.

    Foden’s work resonates with residents of Canada, even to those unfamiliar with the west coast.  It is our sky, our waters.  His work, now available for sale in Kingston, Ontario, gives buyers the opportunity to have a piece of the west coast here in the east.

    L.W. Foden attended the Ontario College of Art in the early 60s and later studied at the Vancouver College of Art.  He was the lead costume designer in the University of Windsor’s Theatre Department for three years and was later the Props Master at Toronto’s Centre Stage Theatre for two years.  In the early 80’s, after many years of exploration in a myriad of art forms, he devoted himself to painting by establishing a studio in Toronto where he worked for over a decade before resettling on Galiano Island.

    The Artwork

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