Tag: landscape

  • REMNANTS – Debra Krakow

    REMNANTS – Debra Krakow

    November 7 to December 16, 2017

    Remnants: finding beauty in transience and decay

    the latest body of work by local artist Debra Krakow

    Working from her picturesque Wolfe Island home studio, artist and architect Debra Krakow watches the seasons unfold.  Lush greens give way to the riotous ochres and siennas of autumn, before succumbing to the hush of winter’s mantle of white.  These weathered landscapes, the evidence of time’s passage, inspire Krakow’s layered, and often expansive and abstracted, canvases.  

    Natural landscapes, sometimes presented as fragments, invite the viewer to look beneath the façade of mere seeing.  They reveal the dignity and subtle structure of memory and perspective.  What lies beyond that which we immediately encounter are the forms of change themselves.  Krakow’s work reminds us that our subjective viewpoints necessarily reflect experience filtered through time and that which we most accurately perceive often demands focused attention and thoughtful exploration.

    “I am drawn to these sparse, quiet landscapes with their vestiges of abundance: cornstalks in frozen fields, dead trees in a flooded pond, detritus on a forest floor.  The signs of aging can be equally evocative and beautiful on human-made surfaces — peeling paint on weathered barn board, a rusty metal door, cracked plaster in an abandoned building.  My working method is a natural fit for exploring the way structures and landscapes morph over time.  I work in layers, selectively revealing or obscuring parts of the layers below to create an evocative surface. Just as a landscape or weathered surface bears hints of its evolution, my painted surfaces reveal a complex history of underlying texture and colour.”—Debra Krakow

    Debra Krakow was born into a creative family in 1965 and has been a free spirit ever since. Torn between her two loves – art and physics –she decided to study architecture.  She graduated from McGill University where she had the privilege of studying life drawing under artist Gentile Tondino.  She developed her artistic practice through courses in painting, printmaking, sculpture, fibre arts and ceramics.

    Her work has been exhibited in her native city of Montreal as well as Toronto, Ottawa, Kingston, Halifax and New York State.  Her works are fondly displayed in living rooms and offices throughout North America. 

    Remnants: finding beauty in transience and decay is on exhibit at Studio 22 from Tuesday, November 7 until Saturday December 16, 2017.  

    The Artwork

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  • New Works by Jane Derby

    New Works by Jane Derby

    GOUGING, NAILING, CUTTING, SCRAPING & PAINTING – New Works by Jane Derby

    Exploring our local environment through artistic innovation.

    Leftover copper from a refrigeration manufacturing plant near Kingston and plaster lath salvaged from old homes provide inspiration for local artist Jane Derby.  By using a variety of techniques to creatively repurpose discarded materials, Derby opens up the possibility of rethinking our relationship to trash and poses the question, What is beautiful?

    Given our current environmental crisis, Derby’s work feels both timely and prescient.  It is no surprise, then, that she has been recognized with a number of prizes and awards, including the Environmental Spirit Award from the Recycling Council of Ontario.

    While Derby’s works suggest how reimagining cast-off objects may portend the future, her aim is predominantly aesthetic.  What she is able to produce from these raw materials is exquisite.  Her blend of experimental, yet exacting, technique yields energetic and enlightened landscapes; upending all expectation.

    As Derby explains, “Most recently, the result has been a series of bas relief landscapes made from household cans. I cut and shred these, nailing the pieces to plywood, simulating the grasses, earth and water that make up the textural beauty of wetlands of Eastern Ontario. The recycled cans, rusted and corroded through patinas, lend themselves to an implied critique of our current environmental practices, a reminder that two thirds of the original wetlands have been lost.”

    The exhibit combines the refined practice Derby has been exploring since graduating from OCAD, with the new element of locally sourced copper.  The reclamation of Kingston’s very own industrial waste presents Derby with the opportunity to demonstrate how we might all take part in re-envisioning our future.

    Gouging, Nailing, Cutting, Scraping & Painting will be on exhibit at Studio 22, located at 320 King Street East, Kingston from May 30-July 1.

    The Artwork

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  • Collective Sparks ~ ShagRug 2016

    Collective Sparks ~ ShagRug 2016

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    Communal work sessions ignite collective sparks.

    Studio 22 Open Gallery is delighted to present Collective Sparks, an exhibition of new work by the Shag Rug Collective.

    Composed of some of the most respected and established artists in the Kingston community, the Shag Rug Collective represents an array of diverse styles and varied subject matter.  For many years the members of the artists’ collective, which was named after the yellow shag rug which once adorned the studio of founding member, Erika Olson, have gathered together to inspire and nourish each others creativity.  Each individual brings their own unique perspective to the treasured experience of working together in a group setting, often around a shared still life, and the collective sparks which these gatherings ignite.

    In addition to the animated still lives of Studio 22’s seasoned artists, Erika Olson and Margaret Hughes, the exhibition also includes the vibrant landscapes of Sharon Thompson and Josephine Wren, as well as the imaginative abstraction of Evelyn Rapin, Rose Stewart and Deborah Brown.

    Erika Olson finds inspiration working from life—particularly the perishable and delicate nature of food—elevating the domestic sphere into the realm of art.

    Margaret Hughes, an accomplished ceramicist, painter and pastel artist, often bridges the gap between her various media by drawing images of her own ceramic pieces.

    Sharon Thompson, an artist of diverse inspiration, creates memorable works from landscapes to abstraction, or whatever happens to catch her well trained eye.

    Josephine Wren paints the world around her, in part because the act of creation connects her to her own existence, resulting in lush landscapes and still lives.

    Evelyn Rapin frequently bases her intensely colourful imagery on musical themes, creating lively works of abstraction.

    Rose Stewart’s abstract compositions dance with eclectic forms and vibrant colours.

    Deborah Brown creates intricate and organic abstract drawings.

    Collective Sparks will be on display from November 15 – December 23, 2016.

    Gallery Hours:  Tuesday to Saturday 10 am to 6 pm, Thursdays until 8 pm, and Friday Evenings until 10 pm.

  • Horizons – Exhibition

    Horizons – Exhibition

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