Tag: Kingston

  •  BABY, BABY DON’T GET HOOKED ON ME – by Cameron Schaefer

     BABY, BABY DON’T GET HOOKED ON ME – by Cameron Schaefer

    Baby, Baby Don’t Get Hooked on Me – by Cameron Schaefer

    With a combination of nostalgia and whimsy, Cameron Schaefer takes us on a whirlwind journey through the humourous, the iconic, and the unexpected.

    In today’s fast-paced world, it is often the role of the artist to show us how to slow down, to work through ideas, and to make things with our hands. Enter Cameron Schaefer. A Kingston-based author, musician and artist who creates comical compositions, Schaefer invents provocative and contemporary variations on familiar images and themes. His latest exhibition will feature wood panel screen prints and paintings.

    The juxtaposition of his process is itself somewhat ironic. Schaefer employs old-fashioned techniques normally used to produce quantities of items, to fabricate his one-of-a-kind works. In so doing, he embraces a rich tradition in contemporary art, beginning with Dadaism, that continues to question the very notion of what constitutes fine art.

    With his latest body of work, Baby, Baby Don’t Get Hooked on Me, Schaefer marries his unique tongue-in-cheek sense of humour with his acute colour sensibility. The resulting work is at home in any environment, delighting viewers of all ages. Come on, get hooked!

    Baby, Baby Don’t Get Hooked on Me, by Cameron Schaefer will be on display at Studio 22 from July 11 – August 19.

    The Artwork

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  • Happy 11th Birthday to the Open Gallery at Studio22

    Happy 11th Birthday to the Open Gallery at Studio22

    &

    Happy 150th Canada!  

    2 great Canadian things to celebrate July 1st, 2017

  • A Perfect Day – New Oils by Susan Oomen

    A Perfect Day – New Oils by Susan Oomen

    April 4 – May 13, 2017

    Susan Oomen’s works perfectly express mood; capturing stillness in action. Serene lake-scapes depict a life well lived, paddlers float upon light-dappled water, portraying the double meaning of reflection. Idyllic boathouses and iconic muskoka chairs invite the viewer to take pause. The works suggest moments of solitude as well as intimate pairings, illustrations of what it means to be close to nature and to one another. Each moment depicted invites the viewer to reminisce about their own beloved interactions with the natural world and the joy of living fully.

    A Perfect Day is a reminder of the sanctuary of nature and the invaluable gift of tranquility. Featuring ethereal canvases of various shapes and sizes, Oomen’s latest exhibit offers a portal to a meditative state of mind; connecting you to beauty and bringing a moment of contemplative bliss into your home, office, or cottage. As Oomen herself remarks, “It becomes a visual journey, as your eye travels, taking in water, then shoreline, horizon and sky. Perhaps for a few moments, through this journey, we have imagined ourselves there.”

    Having grown up in a large Dutch farming family in the Kingston, Ontario area, Oomen remains close to her roots. While she has made her home in Utopia, Ontario, her paintings are often inspired by the landscapes, lakes, and waterways of the Thousand Islands region, Algonquin Park, and the Muskokas.

    A graduate of the Fine Arts Program at Queen’s University, Kingston, Susan Oomen is represented by Studio 22 in Kingston, Ontario and Roberts Gallery in Toronto. Susan has shown in galleries throughout Canada for over 30 years and has just completed solo shows in 2016 and 2014 at Roberts Gallery, and at Studio 22 in 2015. She has received various awards and grants over the years and her work can be found in public and private collections throughout Canada and the United States. Her painting titled ‘Annie’s Wake’ was featured in September 2016 on the cover of the American Psychologist.

    The Artwork

    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
  • Paintings by Robert Blenderman

    Paintings by Robert Blenderman

    April 4 – May 13, 2017

    Very few artists are ever bestowed with diplomatic honours, the keys to the city, or even credited with representing the soul of a place. Robert Blenderman, however, is one of those rare artists. After nearly 60 years capturing the spirit if Kingston in paint, Blenderman hasn’t yet been given the key to the city, but he has amassed a well-deserved following of admirers and collectors. Of his work and the adopted home which continues to inspire him, Blenderman says, “In my paintings I try to capture the essence of Kingston’s urban uniqueness and Canada’s abundant natural beauty.”

    Blenderman’s tireless imagination is hardly exhausted by local streetscapes and landscapes. Realistic, classically styled still lives and wildly expressive abstracts have also been the subject of his attention over the years.

    Through a lifelong dedication to developing his natural gift, along with his admirably disciplined focus, Blenderman has produced an impressive ouvre during his long career. Studio 22 is extremely fortunate to represent an artist of such vast talent and thrilled to be able to exhibit new paintings from a beloved local icon.

    From the Introduction to his book: Kingston, A City in Canada: Paintings by Robert A. Blenderman: 

    “Robert A. Blenderman has been painting since 1960. His works have been shown in galleries in Kingston, Germany, and the USA. He is a self-taught artist who has painted many kinds of subjects in different media. His painting styles have been varied, to say the least. He has tried them all, mostly successfully. His sailboat paintings in the 1960s and 1990s probably demonstrate this the most clearly, for in these one can see examples of realism, impressionism, cubism, expressionism, and semi-abstractionism. His landscapes can be soft and impressionistic, semi-abstract, or verging on pure abstract expressionism in the progressively less representational works. Blenderman’s still-lifes in oil tend to be hyper-realistic, having something of a Dutch Baroque quality mixed with a kind of orientalism, a quite beautiful combination. And his oil paintings of Kingston storefronts are Hopper-like in their stillness and timelessness-not to mention their style and subject, too.” 

    The Artwork

    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
  • HORIZONS – New Works by Debra Krakow

    HORIZONS – New Works by Debra Krakow

    horiZons

    Wolfe Island architect creates large abstract landscapes that turn interior walls into horizons.  

    Studio 22 is very pleased to announce the launch of our 2016 solo season with a new body of large works from local artist Debra Krakow opening Tuesday, April 12, 2016.

    All it takes is the subtlest hint of a horizon line for our minds to see landscape in an abstract painting. We’re drawn to wide-open spaces and expansive views, and landscape paintings connect us to these places. The concept of abstract landscape allows me incredible artistic freedom and yet grounds the work in visual experience.  – Debra Krakow

    Horizons is Krakow’s third show with Studio22.  Evolving Surfaces (Spring 2014), acrylic and mixed media, explored abstracts from a textural perspective and Crows (Summer 2015), acrylics on paper, was created watching crows from a mountaintop in the south of India.

    Debra Krakow is a Canadian artist and architect. Her luminous and evocative abstract paintings express her deeply felt connection to the natural world.

    Debra was born a free spirit in 1965 and took the women’s movement and the do-your-own-thing motto to heart. Torn between her two loves – art and physics — she decided to study architecture. She graduated from McGill University where she had the privilege of studying life drawing under educator and artist Gentile Tondino. Since then she has developed her artistic practice through courses in painting, printmaking, sculpture, fibre arts and ceramics. Recent workshops with artist Lila Lewis Irving have had a strong influence. She works out of her Wolfe Island studio, overlooking acres of fields and the St. Lawrence Seaway.

    Debra has exhibited in her native city of Montreal as well as in Ottawa, Kingston, Halifax and New York State. Her works are fondly displayed in living rooms and offices throughout North America. www.debrakrakow.com

    Horizons is on exhibit at Studio 22 from Tuesday, April 12 until Sunday May 15, 2016.

    Gallery Hours:  Tuesday to Sunday – 11 to 5 pm & Thursday and Friday evenings to 8pm and 10pm

  • Maggie Sutherland Talks Bodies, Politics and Art

    Maggie Sutherland Talks Bodies, Politics and Art

    https://soundcloud.com/studio22-sounds/maggie-sutherland-talks-bodies-politics-and-art-with-aviva-jacob

  • Interludes ~ Susan Oomen oil paintings

    Interludes ~ Susan Oomen oil paintings

    OIL PAINTER SUSAN OOMEN CREATES INTERLUDES FOR OUR HOMES AND BUSY LIVES

    interludes

    June 2 to July 12, 2015

    Studio22 is very fortunate to be able to work with Susan Oomen and her peaceful oils.  With us since 2012, Susan brings us this most beautiful body of work themed to encompass the simple notion of pause – something we don’t always get enough of in our daily routine. We believe art rallies us toward and provides our homes with that pause; a break, a breath, an interlude.

    Interludes is a stunning collection of artwork that you will want to hang in your own home.  Put an Interlude on your wall and into your day to day.

    Susan Oomen

    Statement:

    Interlude:  period of time; an interval; a piece of music played between other pieces or between the verses of a hymn; a temporary amusement or diversion that contrasts what goes before or after

    From the sunlit table with tea and flowers, signifying contemplation or intimate conversation, to the getaways on water, canoeing, sitting on water’s edge, these paintings share the same theme.  They are about space and time away from the busyness of our lives.  They are also about water, as it is a connecting element throughout my work, lakes, rivers, snow, mist, tea, or even water in vases.

     

    Stillness and peace, we all seek it, and it is becoming harder to find.  So much of our lives are made up of noise, communication, moving from one task to another.  Interludes become precious and necessary.  Interludes are sometimes planned, as in vacation, time on the water in a boat, or just being on the dock or beach.  But many of our interludes are unplanned.  Some of the most precious and memorable come unexpectedly. A random event takes us away from the plans of the day, perhaps a simple unexpected wait, where we connect with strangers.  Or a fender bender or power outage that leads to unexpected moments of thought or conversation.  Your house without power changes as all the chores that involve electricity disappear and you end up sitting in a chair, watching rain or snow fall, in fading light.  In these interludes we are taken out of our habits, our rigid thought patterns, and they become times of contemplation, perspective is clear and thoughts are random.  Stillness is a gift and a necessity.

    My recent work involves images of water, of buildings that appear to float on water’s edge, sometimes briefly lit by afternoon light…..or canoeists in mist or sparkling water.  The colours appear like jewels, the reflections falling, fracturing and disappearing into dark rippled water.  There is also the mystery of the dark water, and what lies beneath, and what lies beyond the dark shadows of shoreline and bush.   Sometimes the water is churning, sometimes like glass.  Water has character, and is constantly changing.  It is a continuous joy to observe the different moods of water, a joy and challenge to portray.  It occurs to me that like children, who I believe depict things in illustrations to make them real, I too depict the things I want to make real for myself and others.  These paintings allow me to be there in that moment, on those lakes and rivers, for that misty morning, away from my own routines, if only briefly, but enough to bring that short necessary interlude, that memory revisited.

    ~ Susan Oomen, 2015

    Biography

    http://susanoomen.ca

    Personal History

    Susan was born in Smith Falls, Ontario to Dutch immigrant parents. She grew up on a farm in the Kingston area with her ten siblings.  Developing an interest in oil painting at a very young age lead her to attended Queens University and graduate with a degree in fine art in 1976.  Presently she lives in Utopia, a community near Barrie Ontario, with her husband Derek.  She is represented by Roberts Gallery in Toronto, Studio22 in Kingston and Rouge Gallery in Saskatoon.  Her work can be found in numerous public and private collections throughout Canada and the United States.

  • An Informal Conversation with Julie Davidson Smith

    An Informal Conversation with Julie Davidson Smith

    https://soundcloud.com/studio22-sounds/an-informal-conversation-with-aviva-jacob-julie-davidson-smith

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