2020 Visions Exhibitions Launched at Studio22 Open Gallery – by Kamille Parkinson
With a nod to the expression “20/20 vision,” Studio 22 Open Gallery on Market Square has launched a series of exhibitions for 2020 called “It’s a Vision Idiom.” . . . . The first of the series, titled “More than Meets the Eye,” has recently opened and features the work of painter Norman Takeuchi and fibre artist Phillida Hargreaves.
NEW BEGINNINGS
“Some years ago, as a way of coming to terms with my ethnicity, I began integrating into my predominantly abstract paintings images from traditional Japanese woodblock prints to illustrate the concept of duality – of being Japanese and Canadian.
UNEARTHED
“Rocks are the exposed bones of the earth. Their size, solidity and longevity appeal to me, and the forces that form and sculpt them intrigue me.”
SPRING 2020: Artist Portfolio Series
A spring display of new work by our regular artists.
WINTER 2020: Artist Portfolio Series
JANUARY / FEBRUARY NEW WORKS
WINTER 2019: Artist Portfolio Series
The Artist Portfolio Series is a regular, seasonal display or new works by our regular artists.
SOMETHING BIG
Ending the decade and kicking off 2020 in a BIG way! Have you spent the better part of 2019 staring at blank walls? Have you dreamed of finding a perfect one-of-a-kind signature piece for your home or office? 2019 has been a great year for Studio22. We have had 8 successful solo shows as well as acquired a number of fabulous new artists. […]
ShopTalk with Teri Wing, Margaret Sutherland and Jane Derby
What lies beneath – by Kamille Parkinson
What are we really seeing when we look at another person? This is one variant of a question that two new shows at Studio 22 seem to be asking.
Studio22 confronts self-image in newest exhibits – Queen’s Journal
Studio 22’s latest exhibition forces viewers to confront challenging questions about beauty, mortality, and self-image.
FLESH AND BONE
Flesh and Bone is a show of two separate, yet complimentary, bodies of work by two unique artists that viewed side by side reminds us of our own mortality and suggests that perhaps beauty is not only skin deep.
COUNTERPART
Human beings are wonderful actors. Our masks help us get into character and we call on our counterpart as needed to act out the scene as the script requires.
Mini Exhibit – Bruno Capolongo – CANADIAN SUBLIME
The paintings seen here represent my growing attention to landscapes, with nearly all subjects being only minutes away from my west Niagara studio.
FALL 2019: Artist Portfolio Series
SEPTEMBER / OCTOBER / NOVEMBER NEW WORKS
Evelyn Rapin: The Nature of Art
What I experience when I look at Evelyn Rapin’s paintings isn’t quite thought or thinking. No. Rapin’s paintings compel associations that skip like a stone across the pond of memory and insist on a response.
Artists of Note | Bruno Capolongo
Today Capolongo is perhaps best known for his classic still-life paintings featuring elegant oriental pottery, but recently he has also been painting landscapes in oils and acrylics. His patient approach to creating both still lifes and landscapes is a virtue that viewers can observe and savor.
Studio 22’s newest exhibits blend nature & music
THE HOUSE THE SPIRIT BUILDS: Coinciding with the Kingston WritersFest happening Sept. 25 to 29, Studio 22 is exhibiting a work that blends the visual and the literary arts.
THE CONCERT SERIES: Rapin’s The Concert Series was inspired by a concert she attended at The Isabel Bader Centre while sitting in the front row in 2017.
The Concert Series
Rapin’s work highlights the harmonious intersection of two art forms and encourages the
viewer to explore and celebrate the aesthetics and powerful psychology of music.
The House the Spirit Builds
The House the Spirit Builds reminds us that joy and inspiration can be found in the smallest
of things and that it is in our quest for a sense of belonging that we are united. The poems and
photographs seen together are an invitation to expand our sense of wonder and our sense that all
things are connected.
Traditional subject matter, contemporary point of view
What does it mean to have a strong personalized vision in the face of decades of stylistic traditions and particular expectations about cultural art production?