“Nature, architecture and everyday objects contain patterns that intrigue, mesmerize and engage me. Taking those initial images and abstracting them is a form of play for me,” admits photographic artist Diane Laundy. “It is like looking through the lens of a kaleidoscope at the endless possibilities of patterns and forms.”
Indeed, Laundy’s work is more than mere representation, moving beyond realist photography to a form of photographic abstraction. By transforming her initial photographs of the textures, patterns and subject matter which attract her, into entirely new creations and forms allows Laundy to present a vision uniquely her own.
Influenced by textiles and quilts and the way they are created and combined, Laundy’s technique involves cutting and arranging the same image, a series of images, or parts of images.
“In this series of images, I turn natural and architectural details into a series of kaleidoscopic designs. By mirroring, flipping and layering the original image, I create an impressionistic view of the original, bringing out the beautiful patterns and forms inherent in the subject,” Laundy further explains.
Diane Laundy practices photography as a means to express her creative ideas. She has exhibited her photography in numerous solo and group exhibitions at Studio 22 (Kingston), the Mississippi Valley Textile Museum (Almonte), Nocturne: Art at Night (Halifax), ViewPoint Gallery (Halifax), Gallery Raymond (Kingston) and the Kingston Arts Council (Kingston). She has also participated in juried studio tours in Maberly, Kingston and Merrickville. Her photographs have been published in Peeling Bells (2015),
Fabrications: Modern Architecture Re-imagined (exhibition catalogue, 2010), Ferment (2003), and on the cover of the CD Cycle of Life (2005). Her work is in private collections across Canada, and in the Nova Scotia Art Bank.
KALEIDOS: BEAUTIFUL FORMS by Diane Laundy will be on display from July 11 – August 19.
Limited Edition of 10 each – $475 +HST for #1/10 with a 10% increase as each one is sold.
Peterborough-based artist Rob Niezen marries his disparate influences, comic book art and classic impressionism, to produce graphic oil paintings which entertain and delight.
Incorporating his observations of everyday life, Niezen weaves a visual tale through his imaginatively narrative canvases. Life is rich with colour and experience; time is measured in moments shared with family and friends.
Using light and colour, shadows and reflections, Niezen depicts table tops filled with glassware that sparkle and shine, signifying the joy of living life to its fullest.
A true master of painting sunlight–reflected and refracted, direct and indirect— Niezen’s bold use of colour, exaggerated angles, and unique perspectives lend drama to these unexpected images. Like snapshots of a perfect holiday, each canvas takes on the sense of a memento. Celebration is all about savouring life’s experience.
Born in The Hague, Netherlands, and now living near Peterborough, Ontario, Rob Niezen is a painter and printmaker who has participated in over 30 exhibitions. His works can be found in collections, internationally.
CELEBRATION – New Works by Rob Niezen will be on display from July 11 – August 19.
Montreal-based Cuban artist Osvaldo González Herrera
A stunning body of work representing an extraordinarily unique vision, RETORNO takes the viewer on a journey into the surreal landscape of dreams.
Herrera’s work defies conventional definitions, liberating the viewer from the constructs of previously conceived notions of the human form. Incorporating a splatter-like style reminiscent of Jackson Pollock and evoking the sensibility and playfulness of Ralph Stedman, Herrera recalls abstract expressionism as an anchor for an entirely original direction. Much of Herrera’s works have a narrative quality, featuring enigmatic themes and lurid figures in intriguing situations.
In Herrera’s own words, “I propose possible interpretations in order to provoke a dialogue with the viewer.” In so doing, the discourse between subject and object is set in motion, whereby the exchange of ideas creates a flow that leads the viewer back to the initial state of wonder. There are no easy answers here, but a return to yet more questions.
Working in a variety of forms, from painting and graphic arts to humorist drawing, Osvaldo González Herrera studied art in his native Cuba. In 2013, Herrera relocated to Montreal, where he continues to work as a painter and graphic artist. His work has been shown in several solo and collective exhibitions, both in Cuba and internationally. He has published his humorist works in several local newspapers.
RETORNO; Paintings by Osvaldo González Herrera will be on display at Studio 22, located at 320 King Street East, Kingston from May 30 –July 1.
GOUGING, NAILING, CUTTING, SCRAPING & PAINTING – New Works by Jane Derby
Exploring our local environment through artistic innovation.
Leftover copper from a refrigeration manufacturing plant near Kingston and plaster lath salvaged from old homes provide inspiration for local artist Jane Derby. By using a variety of techniques to creatively repurpose discarded materials, Derby opens up the possibility of rethinking our relationship to trash and poses the question, What is beautiful?
Given our current environmental crisis, Derby’s work feels both timely and prescient. It is no surprise, then, that she has been recognized with a number of prizes and awards, including the Environmental Spirit Award from the Recycling Council of Ontario.
While Derby’s works suggest how reimagining cast-off objects may portend the future, her aim is predominantly aesthetic. What she is able to produce from these raw materials is exquisite. Her blend of experimental, yet exacting, technique yields energetic and enlightened landscapes; upending all expectation.
As Derby explains, “Most recently, the result has been a series of bas relief landscapes made from household cans. I cut and shred these, nailing the pieces to plywood, simulating the grasses, earth and water that make up the textural beauty of wetlands of Eastern Ontario. The recycled cans, rusted and corroded through patinas, lend themselves to an implied critique of our current environmental practices, a reminder that two thirds of the original wetlands have been lost.”
The exhibit combines the refined practice Derby has been exploring since graduating from OCAD, with the new element of locally sourced copper. The reclamation of Kingston’s very own industrial waste presents Derby with the opportunity to demonstrate how we might all take part in re-envisioning our future.
Gouging, Nailing, Cutting, Scraping & Painting will be on exhibit at Studio 22, located at 320 King Street East, Kingston from May 30-July 1.
It began as a question during an interview with CKWS Morning Show host Bill Welychka. Could I do a drypoint portrait of his co-host Julie Brown? With a laugh I answered, “Of course.” A day or two later, I fell in love with the idea. Julie then graciously agreed to sit for me, and the Julie Brown Project began.
I was inspired by the celebrity portraits by Andy Warhol, whose iconic images use repetition and colour variation to highlight different aspects of his very familiar subjects. Using my own drawings of Julie, rather than photographs, I created a small set of drypoint plates. Then I began the process of printing and overprinting the plates, using different colours and papers to show just a few of the many faces of Julie Brown.
Susan Oomen’s works perfectly express mood; capturing stillness in action. Serene lake-scapes depict a life well lived, paddlers float upon light-dappled water, portraying the double meaning of reflection. Idyllic boathouses and iconic muskoka chairs invite the viewer to take pause. The works suggest moments of solitude as well as intimate pairings, illustrations of what it means to be close to nature and to one another. Each moment depicted invites the viewer to reminisce about their own beloved interactions with the natural world and the joy of living fully.
A Perfect Day is a reminder of the sanctuary of nature and the invaluable gift of tranquility. Featuring ethereal canvases of various shapes and sizes, Oomen’s latest exhibit offers a portal to a meditative state of mind; connecting you to beauty and bringing a moment of contemplative bliss into your home, office, or cottage. As Oomen herself remarks, “It becomes a visual journey, as your eye travels, taking in water, then shoreline, horizon and sky. Perhaps for a few moments, through this journey, we have imagined ourselves there.”
Having grown up in a large Dutch farming family in the Kingston, Ontario area, Oomen remains close to her roots. While she has made her home in Utopia, Ontario, her paintings are often inspired by the landscapes, lakes, and waterways of the Thousand Islands region, Algonquin Park, and the Muskokas.
A graduate of the Fine Arts Program at Queen’s University, Kingston, Susan Oomen is represented by Studio 22 in Kingston, Ontario and Roberts Gallery in Toronto. Susan has shown in galleries throughout Canada for over 30 years and has just completed solo shows in 2016 and 2014 at Roberts Gallery, and at Studio 22 in 2015. She has received various awards and grants over the years and her work can be found in public and private collections throughout Canada and the United States. Her painting titled ‘Annie’s Wake’ was featured in September 2016 on the cover of the American Psychologist.
Very few artists are ever bestowed with diplomatic honours, the keys to the city, or even credited with representing the soul of a place. Robert Blenderman, however, is one of those rare artists. After nearly 60 years capturing the spirit if Kingston in paint, Blenderman hasn’t yet been given the key to the city, but he has amassed a well-deserved following of admirers and collectors. Of his work and the adopted home which continues to inspire him, Blenderman says, “In my paintings I try to capture the essence of Kingston’s urban uniqueness and Canada’s abundant natural beauty.”
Blenderman’s tireless imagination is hardly exhausted by local streetscapes and landscapes. Realistic, classically styled still lives and wildly expressive abstracts have also been the subject of his attention over the years.
Through a lifelong dedication to developing his natural gift, along with his admirably disciplined focus, Blenderman has produced an impressive ouvre during his long career. Studio 22 is extremely fortunate to represent an artist of such vast talent and thrilled to be able to exhibit new paintings from a beloved local icon.
From the Introduction to his book: Kingston, A City in Canada: Paintings by Robert A. Blenderman:
“Robert A. Blenderman has been painting since 1960. His works have been shown in galleries in Kingston, Germany, and the USA. He is a self-taught artist who has painted many kinds of subjects in different media. His painting styles have been varied, to say the least. He has tried them all, mostly successfully. His sailboat paintings in the 1960s and 1990s probably demonstrate this the most clearly, for in these one can see examples of realism, impressionism, cubism, expressionism, and semi-abstractionism. His landscapes can be soft and impressionistic, semi-abstract, or verging on pure abstract expressionism in the progressively less representational works. Blenderman’s still-lifes in oil tend to be hyper-realistic, having something of a Dutch Baroque quality mixed with a kind of orientalism, a quite beautiful combination. And his oil paintings of Kingston storefronts are Hopper-like in their stillness and timelessness-not to mention their style and subject, too.”
Gary Michail Dault – Onyx Still Life (with feather)
Hersh Jacob – It Looks Like Rain – SOLD
Holly Dean – Over Men and Horses, Hoops and Garters
Jane Derby – What Remains
Josephine Wren – A Promise
Keight MacLean – Sibyle
Kevin Merritt – Beastie Bots – SOLD
Margaret Hughes – Terra Murata, Procida – SOLD
Osvaldo Gonzalez Herrera – Retrato
Patti Leishman – great big popi
Phillida Hargreaves – Beached
Rebecca Cowan – Aine
Robert Blenderman – Summer Sailing
Rose Stewart – Contingency #1
Sharon Thompson – Fall in Erika’s Studio
Stefan Duerst – Bubbling Spring #8
Su Sheedy – Lichen 4
Susan Oomen – Kitchen Window
Susan Paloschi – The Little Golden Tree
Teresa Mrozicka – Mystical Land
Ulrich Panzer – Untitled 2016
Vadim Vaskovsky – Nancy
Wallace Edwards – Whalephant
Andrew Danson Danushevsky – Intimacy
February 14th to March 25th
Every work of art is unique, created to exist not just for itself, but to be loved. Studio 22 is proud to launch its 2017 Season with the group exhibition, I Love THIS PIECE. The show features singular works from the past collections of 30 artists. Each work has been selected by the artist because it represents a piece which they feel deeply about; works which have yet to find their soulmates.
I Love THIS PIECE is on exhibit at Studio 22 located at 320 King Street East, Kingston from Tuesday, February 14th until March 25th, 2017.
Gallery Hours: Tuesday to Saturday, 10 to 6pm, Thursdays till 8pm, Fridays till 10pm.
Studio 22 Open Gallery is thrilled to present Fluid Forms, new work by artist Stefan Duerst. The dynamic forms of Stefan Duerst’s steel sculptures emerge as the fluid embodiment of his deeply creative essence. The exhibition will feature new works created exclusively by Duerst as well as new collaborative pieces by Duerst and German graffiti artist Loomit.
The art of collaboration requires a curious nature, a strong sense of experimentalism and an abundance of trust. To find a kindred spirit, especially in the art world, which can often be quite isolating, creates a unique opportunity for openness, artistic development and inspiration. This year Duerst, who is no stranger to collaboration, invited the graffiti artist Loomit to work with him on a new series of steel sculptures. After heating, bending and shaping the steel into his characteristically sensuous and suggestive abstract shapes, Duerst entrusted them to Loomit, who transformed the raw steel finish with his mastery of spray painting. For those who are familiar with Duerst’s work, there are signature favourites; the ribbon-like Soul Gate and the provocative Kommunikation series, to name a few. Yet the results of this artistic collaboration are astonishingly new.
Two early pieces were created in Duerst’s Godfrey studio and shipped to Munich, Germany where Loomit applied his finishing touch. The rest of the collaboration took place during an exceptional week in September, 2016 which Loomit spent in residence at Duerst’s Studio at Godfrey Sculpture Park. No doubt, like Duerst himself, Loomit was inspired by the incredible natural beauty of the Canadian landscape. The juxtaposition of graffiti art applied to three-dimensional sculpture is akin to the very notion of using a material as industrial as steel in shapes as fluid as fabric.
German-born Stefan Duerst has been experimenting with metal since 1992, first as a blacksmith and ultimately as as an abstract sculpture artist. He emigrated to Canada in 2002, inspired by the wilderness of the Canadian Shield, where he lives, creates, and inspires others on the 60 acre property which he has developed into Godfrey Sculpture Park. Munich-based Loomit has been working in the medium of spray paint since 1983, combining creative lettering and imagery, and establishing himself as an internationally recognized graffiti artist for his large wall productions.
FLUID FORMS will be on display from November 15 – December 23.
Gallery Hours: Tuesday to Saturday 10 am to 6 pm, Thursdays until 8 pm, and Friday Evenings until 10 pm.
Studio 22 Open Gallery is delighted to present Collective Sparks, an exhibition of new work by the Shag Rug Collective.
Composed of some of the most respected and established artists in the Kingston community, the Shag Rug Collective represents an array of diverse styles and varied subject matter. For many years the members of the artists’ collective, which was named after the yellow shag rug which once adorned the studio of founding member, Erika Olson, have gathered together to inspire and nourish each others creativity. Each individual brings their own unique perspective to the treasured experience of working together in a group setting, often around a shared still life, and the collective sparks which these gatherings ignite.
In addition to the animated still lives of Studio 22’s seasoned artists, Erika Olson and Margaret Hughes, the exhibition also includes the vibrant landscapes of Sharon Thompson and Josephine Wren, as well as the imaginative abstraction of Evelyn Rapin, Rose Stewart and Deborah Brown.
Erika Olson finds inspiration working from life—particularly the perishable and delicate nature of food—elevating the domestic sphere into the realm of art.
Fall Still Life – $4500 – 4’x6′ oil on canvas
Asian Pears – $450 – 11″x14″ oil on board
Butter – $500 – 12″x16″ oil on board
Espresso – SOLD
Mussels Open – $275 – 5″x8″ oil on canvas
Mussels Closed – $275 – 5″x8″ oil on canvas
Raspberry Pie – $400 – 9″x12″ – oil on board
Hamburger – $500 – 17.5″x18.5″ photoshop & oil on canvas
Grapefruit – $450 – 12″x16″ – oil on board
Red Pepper – $400 – 9″x12″ oil on board
Stuffed Green Pepper – $400 – 9″x12″ oil on board
Cakes and Pies – $1250 – 24″x30″ oil on canvas
Pomegranate – $800 – 25″x29″ oil on board
Margaret Hughes, an accomplished ceramicist, painter and pastel artist, often bridges the gap between her various media by drawing images of her own ceramic pieces.
Blue Vase Red Teapot – SOLD
Chinese Lanterns – $700 – 19.5″x18.5″ chalk pastel
Daffodils and Two Jugs – $800 – 19″x25″ chalk pastel
Flowers and Blue Bottle – SOLD
Jo’s Studio – SOLD
Potted Plant – $450 19″x11.75″ chalk pastel
Teapot and Mushroom – $600 – 18.5″x19.75″ chalk pastel
Sharon Thompson, an artist of diverse inspiration, creates memorable works from landscapes to abstraction, or whatever happens to catch her well trained eye.
Autumn Along Highway 41 – $675 – 28″x24″ oil/sand on panel
Clouds over Cedar Lake, AP – $700 oil on panel
Light on Cedar Lake – $600 – 21″x29″ oil on panel
Marsh, Cedar Lake, AP – $780 – 26″x30″ oil on panel
Pine Tree Forest, AB – $825 – 32″x26″ Acrylic
Pine Trees #2 CCA – $650 – 24″x27″ oil on panel
Pine Trees in the CCA#1 – SOLD
Sky and Lake, Cedar Lake – $550 – 22″x25″ oil on panel
View Across the Marsh – $600 – 22″x28″ oil on panel
Wind on Cedar Lake – SOLD
Josephine Wren paints the world around her, in part because the act of creation connects her to her own existence, resulting in lush landscapes and still lives.
Lake Calabogie – $735 – 24″x24″ oil on board
Fallen Leaves – $735 – 24″x24″ oil on board
Calabogie Swamp Pond – $735 – 24″x24″ oil on board
Lake Sunward, Calabogie – $735 – 24″x24″ oil on board
Lake Sunward Gazebo – $435 – 16″x19.5″ oil on canvas
Reflection, Shadows – $435 – 16″x19.5″ oil on canvas
Still Life in Sunward Farmhouse – SOLD
Evelyn Rapin frequently bases her intensely colourful imagery on musical themes, creating lively works of abstraction.
Musical Line II $2000 – 36″x23″ Acrylic/chalk pastels on paper
Wheels I – $2000 – 36″x23″ Acrylic/chalk pastels on paper
Wheels II – $2000 – 36″x23″ Acrylic/chalk pastels on paper
Pioneer I – $2000 – 36″x23″ Acrylic/chalk pastels on paper
Free Improvisation I – $980 – 24″x24″ oil on birch panel
Free Improvisation III – $980 – 24″x24″ oil on birch panel
Free Improvisation VI – SOLD
Rose Stewart’s abstract compositions dance with eclectic forms and vibrant colours.
Dance 1 – $1700 – 20″x26″ oil on paper
Dance 3 – $1700 – 26″x20″ oil on paper
Dance 4 – $1700 – 20″x26″ oil on paper
Dance 5 – $1700 – 20″x26″ oil on paper
Play 1 – $400 – 8″x10.5″ pastel
Play 2 – $400 – 8″x10.5″ pastel
Play 3 – $400 – 8″x10.5″ pastel
Play 4 – $400 – 8″x10.5″ pastel
Play 5 – $400 – 8″x10.5″ pastel
Terrain 2 – $1700 – 20″x26″ oil on paper
Deborah Brown creates intricate and organic abstract drawings.
Fluentem- $800 – 30″x22.5″ ink and watercolour on paper
Pacis – $800 – 30″x22.5″ ink and watercolour on paper
Collective Sparks will be on display from November 15 – December 23, 2016.
Gallery Hours: Tuesday to Saturday 10 am to 6 pm, Thursdays until 8 pm, and Friday Evenings until 10 pm.
ALMOST IN SEINE – 30″ X 40″ digital fine art print
COURTYARD – 30″ X 40″ digital fine art print
Andrew Danson Danushevsky – Intimacy
LAST CHARGE – 30″ X 40″ digital fine art print
MELTDOWN – SOLD
POST – 30″ X 40″ digital fine art print
SMOKER – 30″ X 40″ digital fine art print
STRIP MALL – 30″ X 40″ digital fine art print
WITHOUT SUI (water) – 30″ X 40″ digital fine art print
Renowned photographer Andrew Danson Danushevsky returns to Studio 22 Open Gallery with a new collection.
This fall marks the return of internationally recognized Canadian photographer, educator, author, and curator Andrew Danson Danushevsky to Kingston’s own Studio 22 Open Gallery. Actively exhibiting since 1973, and featured in over 50 exhibitions both in Canada and internationally, Danson Danushevsky is perhaps best known for his remarkable series of iconic portraits of prominent Canadian politicians, which became the national bestseller Unofficial Portraits: Canadian Politicians Photographed by Themselves (1987).
The current exhibition, entitled Illusion, like the artist himself, defies simple description. Andrew Danson Danushevsky is no less a social commentator than an artist. With his latest body of work he proposes a new dialogue with and about the medium of photography itself. The grid photographs are symbolic portrayals of the ubiquity of digital imagery and the way in which we engage, or perhaps disengage, from photography in our modern age.
The interplay between multiplicity and simplicity, distance and clarity is revealed, playfully, as perhaps an illusion. By challenging our perceptions of the limits of what photography is meant to do, Danson Danushevsky invites us to move with him beyond art for art sake, and participate in an invaluable conversation about the uniqueness of perspective in a world bombarded by both mundane and provocative imagery. Ultimately, he reminds us that every view stems from and leads back to a worldview. What we share and what we borrow overlap in unimaginable landscapes.
Illusion is on display at Studio 22, from September 27-Novemember 5, 2016.
PLENTY OF FISH IN THE SEA – 25″ X 19.5″ water-based oils
OODLES OF DOODLES – 36″ X 23.5″ mixed media on board
SWEET DREAMS – 24″ x 18″ mixed media on board
SING ALONG – 23.75″ x 12″ mixed media on board
SUNNY – 13.5 X 10.5″ watercolour
LUCKY DEVIL 1 – 12″ x 11″ mixed media on board
LUCKY DEVIL 2 – 12″ x 11″ mixed media on board
LUCKY DEVIL 3 – 12″ x 12″ mixed media on board
ON A SAD NOTE – SOLD
CAT FISH – SOLD
MISSING YOU – 14.5″ X 14.5″ watercolour
FUNNY GUY – 14″ x 11″ watercolour
GOSSIP – 16″ x 12″ – mixed media on board
CHANGE OF HEART – 9.5″ x 7.5″ watercolour
HAPPY SAM – 12″ x 12″ watercolour
BUTTERFLY FISH – 8″ x 10″ watercolour
COELACANTH – 12″ x 24.25″ acrylic on board
FRESH WATER DRUM – 11″ X 19″ watercolour
STEELHEAD – 11″ x 18″ watercolour
NIGHT WING – 13.5″ X 10.5″ watercolour
NIGHT EYES – 18″ x 12″ watercolour
YIN AND YANG – SOLD
GREEN HERON – SOLD
NIGHT HERON – SOLD
Award-Winning Local Artist brings Ideas to Life at Studio22.
Studio 22 Open Gallery is delighted to present Notionography, an exhibit of new work by Governor General’s Literary Award-winning author and illustrator Wallace Edwards. The Yarker-based artist and beloved children’s book author is a busy man; his paintings and illustrations are found in numerous public and private collections and publications. In addition to his solo exhibition at Studio 22, Edwards will also be launching a new book, What Is Peace?, as part of Kingston’s Writers Fest.
Wallace Edwards loves to play with ideas. The exhibition of new work explores the way our subconscious mind mysteriously manifests and manipulates myriad images, incorporating ideas into imaginative illustrations. “Notionography refers to a deep pool of ideas,”explains the artist. “It’s like snorkeling- I like snorkeling. Things emerge.”
The exhibition, which features pieces Edwards refers to as “found art,” is made up of drawings and collages reworked and reinterpreted from some of his older sketches. The show also features new acrylic paintings on board, which Edwards has dubbed “stark animal portraits,” that represent a bit of a departure for an artist renowned for his elaborately imaginative children’s illustrations. These bold paintings are deceptively simple, inviting the viewer into a thoughtful examination of artistic precision.
Notionography, the wonderful and whimsical world of Wallace Edwards is on display at Studio 22 Open Gallery, from September 27-November 5, 2016.
Local press about Wallace Edward’s upcoming exhibit…
ICE PAINTINGS – Medium: 1) Non-toxic pigments on natural ice 2) Photographic print on aluminum acrylic face mount (Diasec)
1-Masculin-Feminin-Diptich-8×8-$550
2-Feminin-Masculin-Diptich-8×8-$550
Butterfly-Effect—8×8-$550
Frozen-Beginning-8×8-$550
Frozen-Embrace-8×8-$550
Frozen-Wave-8×8-$550
laraignée-cosmique-8×8-$550
Les-Fleurs-du-mal–8×8-$550
Lunar-8×8-$550
Premiere-vision-8×8-$550
Rembrandt–Nebula-8×8-$550
Solar-8×8-$550
Suspended-Heart-8×8-$550
The-Last-Butterfly-8×8-$550
The-Sky-of-Your-Childhood-8×8-$550
Time-and-Space-in-Infinit-Embrace-8×8-$550
Very-Determinate-Bonsai-Tree-8×8-$550
Where-No-One-Has-Gone-Before-10×10-$850
Galaxy–Shiver-10×10-$850
Garden-of-Eden-13×10-$950
Head-First-16×16-$1200
Vincents-Sun-Fields-10×10-$850
last-colony-diptych-25.5×44.25-$4200
Upper-Middle-Lower-Green-triptych-41×30.25-$4200
Vision-de-la-solitude-16×21-$1400
Circulatory-System-of-Green-32×48-$2200
Where-No-One-Has-Gone-Before-32×48-$2200
Feminin-Masculin–Diptich-II-39×26-$1500
Masculin-Feminin-Diptich-I-39×26-$1500
Framed-Moonlight-42×32-$3600
Paradise-That-Never-Was-68×52-$7000
Trapped-Heart-36×36-$3600
Winter-Vegitation-Boxed-In-16×24-$3600
ICE CARBON – Medium: 1) Non-toxic pigments on natural ice 2) Photographic print, pencil drawing on paper, acrylic paint on wood box
Ice-Carbon-catalog-1-16×16-$500
Ice-Carbon-catalog-1A-16×16-$500
Ice-Carbon-catalog-2-16×16-$500
Ice-Carbon-catalog-2-A-16×16-$500
Ice-Carbon-catalog-3-16×16-$500
Ice-Carbon-catalog-3-A-16×16-$500
Ice-Carbon-catalog-1-12×12-$350
Ice-Carbon-catalog-1A-12×12-$350
Ice-Carbon-catalog-2-12×12-$350
Ice-Carbon-catalog-2A-12×12-$350
Ice-Carbon-catalog-3A-12×12-$350
Ice-Carbon-catalog-4-12×12-$350
Ice-Carbon-catalog-4A-12×12-$350
Ice-Carbon-catalog-5-12×12-$350
Ice-Carbon-catalog-5A-12×12-$350
Ice-Carbon-catalog-6-12×12-$350
Ice-Carbon-catalog-6A-12×12-$350
Ice-Carbon-catalog-7-12×12-$350
Ice-Carbon-catalog-7A-12×12-$350
Ice-Carbon-catalog-8-12×12-$350
Ice-Carbon-catalog-8A-12×12-$350
Ice-Carbon-Catalog-#9-12×12-$350
Ice-Carbon-Catalog-9A-12×12-$350
Carbon-Based-Forms1-30×30-$2000
Ice-Carbon-Forms-2-30×30-$2000
Carbon-Based-Forms-3-46×60-$3600
Vibrant Disappearance 2016
Vibrant Disappearance is an amalgam of ephemeral art, painting, and photography. The miniature abstract paintings measuring 2 to 4 inches in diameter are painted with pigments on patches of ice found in forests and gardens. Their life span depends on the temperature. The paintings are photographed at their visual peak, before they melt away. Finally the photographs are face mounted with acrylic glass, suggestive of ice. In the series Ice-Carbon, I added another medium. The fragmented photographs of ice-paintings are fused with pencil drawings. Graphite is a form of carbon, which is also a key component of all Earth’s life forms, myself included, hence “Carbon” in the title.
Initially, the ice-paintings were an expression of an aesthetic impulse. Although I used non-toxic materials, I brought man-made pigments, industrialized human culture, into the forest. The paintings projected the baggage of centuries of civilisation. They were an odd imposition on nature, not unlike the imposition of human populations on the natural environment. In the end, however, the paintings last only a moment; they melt and disappear, heralding perhaps the self-inflicted disappearance of humankind.
I photograph the paintings. Turning this ephemeral process into an object made me realise that any transformation is due to the interconnectedness of everything. What we call reality is a mesh of societal, psychological, chemical, atomic, and quantum relationships. There is no separateness between the economy and ecology, culture and nature, a plastic bag and a piece of broccoli. Embedded in thick plastic are the images formed by pigments freezing on the surface of ice formed in the forest. This artwork is the result of human and non-human activity. The temperature of the environment and the properties of the ice are as much agents of creation as the artist.
Vibrant Disappearance is about beauty, creation and the paradox of possessing the power to transform matter and energy without the knowledge of where this power can lead. Ice-paintings point to nature, but are eventually, hypocritically one could say, made of metal, plastic, paints and varnishes. And yet, Vibrant Disappearance is an ecological artwork. It is just as everything else entangled in the stream of the interactions that make us and what we call our environment.
Almost Gone – 48×28 – oil on linen – 2015 – $7,200
Last One – 18×24 – oil on canvas – 2010 – $2,400
SOLD Gasp – oil on canvas – 15″ x 15″
Torso – oil on board – 12.5″ x 8.5″
Torso 2 – SOLD
Jammer – oil on canvas – 48″ x 48″
Annie – oil on canvas – 40″ x 20″
SOLD Pas de Deux – oil on canvas – 48″ x 48″
My River Tis of Thee – oil on linen – 20″ x 40″
SOLD Peace – oil on canvas – 48″ x 30″
SOLD Good (Blue) Government – oil on canvas – 36″ x 48″
We began carrying the work of Margaret Sutherland in the summer of 2014. Since that time, there is not another artist in our collection whose work elicits the degree of attention and admiration that Margaret’s does. Her work is political, humourous and deeply thought provoking. Her work is significant and we are thrilled to be presenting this collection of her most recent oil paintings. Studio22 and Kingston are privileged to have access to these works.
Artist Statement
We are besieged with ever more images but less awareness of what we are doing to ourselves and our world. Basically my work is sociological and biographical, from the viewpoint of a feminist who grew up in the end of one century, trying to make sense of life in the next one by witnessing and allegorizing what intrigues and concerns me, wondering where the pendulum of history is taking us next.
– Margaret Sutherland
Biography
A decade after graduating from Queen’s University in Arts and then Education, Margaret Sutherland formalized her professional art pursuit with a Master of Fine Arts (Cum Laude) in 2001 from The Graduate School of Figurative Art of The New York Academy of Art. Her path to fine art was organic, yet circuitous, having spent time teaching at home and abroad in Hong Kong with her husband — and realizing that her passion lay in something else. Sutherland grew her skill in community groups and high school art courses open to adults through NDSS before pursuing her degree.
It is interesting to note what is not formally cited in her resume, that her post secondary education began with the Foundation Year Program (FYP) at the University of King’s College in Halifax. This unique, highly intense course of study is the epitome of liberal arts – exploring only original classic texts outlining the evolution of the thoughts of mankind. Perhaps it is, in part, this education that has fuelled the deep questioning and philosophical commentary that is so integral to Margaret’s work.
Sutherland is an observer. Her unique and deeply compelling work is comprised of her multi faceted self. Technically sound and unwaveringly thought provoking. She is a painter and a thinker.
Fleur Pied et Fesses – mixed media on jute – 49″ x 35.5″
Fleur Pied – mixed media on jute – 49″ x 35.5″
Fleur Pourquoi – mixed media on jute – 49″ x 35.5″
Fleur Puissant – mixed media on jute – 49″ x 35.5″
Fleur X-1 – mixed media on jute – 49″ x 35.5″
Fleur Homme Femme Enfant – acrylic on jute – 39″ x 39″
Fleur X-2 – mixed media on jute – 34″ x 27″
Fleur Jaune – mixed media on jute – 34″ x 27″
A series of 12 mixed media paintings on jute (the backs of recycled carpets).
I was at the public garbage dump in Yverdon-les-Bains (Switzerland) to deposit household waste with my ex-girlfriend when I saw an old dirty and smelly roll of carpet. When I saw that the back of the carpet was actually lined with burlap cloth, I thought the carpets would be perfect for painting. This series of paintings illustrates part of our love and passion story.
– Ndaté Sylla
Biography
As a French and Senegalese citizen, I graduated from Dakar National Fine Arts School, in Senegal. I have lived and worked in 4 different countries, on 3 continents (Canada, France, Switzerland and Senegal). I have now been living in Kingston for 11 months with my son Thierno and my dear wife Mélanie, to whom I dedicate this work.
Exhibitions
I had the great joy and opportunity to share my work with the public in these different places:
2009 Painting exhibition at Café le 5e, Vevey, Switzerland
2005 Painting exhibition at Café Luna, Lausanne, Switzerland
2004-2005 Painting and sculpture exhibition at Gallery Nelly l’Eplattenier in Lausanne, Switzerland
2004 Group painting exhibition at the Mansion Gallery in la Chaux-de-Fonds, Switzerland
1999 Illustration exhibition at Lausanne’s City Hall, Switzerland
1998 Illustration and poster exhibition at Blaise Senghor Cultural Center in Dakar, Senegal
1998-1998 Participation to the 10th and 11th fairs in Fontenay-sous-Bois, Switzerland
1997 Group painting exhibition «ARTS HORIZON» at the residence of the United States’ Ambassador in Dakar, Senegal
Anyone who strolls down Princess and King street and through the back courtyards of downtown Kingston is already familiar with the works of Barry Blunden. Without realizing it, residents and visitors alike have been delighted by the hanging laundry and grasshopper in the Brock Street Commons, the pelican and gargoyle along King street on the Whig and Masonic buildings and the rooster standing outside the Golden Rooster itself. Even the beautiful detailing along many of downtown’s most iconic buildings belongs to Blunden. Born in, and named for Barryfield, Blunden is a part of Kingston’s history not only in legacy but in his longstanding contributions to the aesthetic of the town.
For the first time in years, a collection (spanning decades) of Blunden’s work will be shown and offered for sale at Studio 22, Open Gallery. His time as a working copper and tinsmith has led to a stunning collection of architectural detailing, practical pieces for the home and decorative sculptures.
Blunden himself describes the durability and longstanding nature of the material used in his work. Joking that his pieces will one day be seen on the antique roadshow, the serious longevity of his craft becomes clear. Just like Kingston itself, Barry Blunden’s pieces have a long standing history behind them and a new history waiting ahead of them.
For decades before and ever creating still, there is always more to come…
“I just want to rush out every morning and get my hands dirty. This is what I do.” – Barry Blunden
Round Table
Lizard (small)
Beer Stein and Bowls
Covered Bowl
Watch
Regular Polytope
Light Bulb
Fish
Curling Stone
Paint Brush
Tall Mailbag
Mailbox
Hat and Saddle Bag
Hat in Hand
Dragon
Self-Portrait
Zipper
Tortoise
Three Roses
Square Bowl
Single Roses
Scale Scoop
Quill
Regular Mail Bag
Jumbo Mail Bag
Lizard (large)
Hanging Sculpture
Glass Table
Fort Henry Lantern
Finial
Finial for 8 / 12 Roof
20 Point Star
Wine Bucket
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