Tag: Mixed Media

  • Evelyn Rapin – Showcase Exhibit 2023

    Evelyn Rapin – Showcase Exhibit 2023

     
    SHOWCASE EXHIBIT
    by Evelyn Rapin
    May 9th – May 27th


    Collage is a central and ever present component of Evelyn Rapin’s art practice. During the creative process, Rapin summons all of her artistic skills including drawing, painting and printmaking and skillfully incorporates encaustic, textiles and various papers to create an expressive and interesting outcome. 

    Collage is exciting; it is all about selection and decision-making but with existing imagery and/or various materials whether papers, photographs, flowers, textiles or memorabilia. It is an experimental endeavor that can be unplanned and unpredictable in the production of a successful artwork.” – Evelyn Rapin

    The artist’s latest body of work, Plants Music Peace, is a series that both explores music and its many facets and reflects a plea for peace around the globe.

    Showcase PAINTINGS

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    Artist Biography

    Evelyn Rapin is a professional artist living in Kingston, Ontario. Internationally recognized for her large-scale collage, her works are frequently based on musical themes, however other genres are produced on occasion.  

    She has participated in many exhibitions, and her work is in collections including Bank of Montreal, Canadian Imperial Bank of Commerce and the University of Western Ontario.  

    Her images have been in various publications such as JazzTimes Magazine and Musicworks Magazine, and used by the Toronto Symphony Orchestra and the MIT Symphony Orchestra to name a few.

  • Winter 2022-2023:  Artist Portfolio Series

    Winter 2022-2023: Artist Portfolio Series

    Winter 2022-2023

    NEW WORK

    • Leah Hicks • Teri Wing •

    Leah Hicks

    Not currently available – If you are interested in this, please contact us.
  • Fall 2022:  Artist Portfolio Series

    Fall 2022: Artist Portfolio Series

    Fall 2022

    NEW WORK

    • Wallace Edwards • Ran Jacob • Rob Niezen • Evelyn Rapin • Teri Wing •

    Ran Jacob

    Rob Niezen

    Evelyn Rapin

    Teri Wing

    Not currently available – If you are interested in this, please contact us.
  • Romancing the Poem

    Romancing the Poem

     

    Romancing the Poem 
    by Teri Wing

    May 10th – June 3rd

    Decapitated heads, protruding eyeballs, dismembered corpses and boxes of teeth are perhaps not the first images the mind conjures up when recalling children’s bedtime stories. While many are lulled to sleep by the charming tales of Beatrix Potter, it was the evocative writings of Edgar Allan Poe read to her as a child by her father that stirred the mind and completely captured the imagination of artist Teri Wing. These strong visual memories from early childhood triggered by Poe’s poems of mystery and torment served as a catalyst in Wing’s creative journey, stimulated the ongoing cultivation of her craft and influenced the trajectory of her artistic development.

    With this brand new body of work, Teri Wing bring’s the master of macabre’s dark romantic prose to canvas in her second solo show with Studio22. As an artist that has always had a fascination with the inner workings of the human mind, Wing’s latest exhibit, takes the viewer into a world that goes beyond appearances and visually captures the dark side of imagination. The exhibit agitates and excites. It is no wonder Wing so fondly treasures the memories of terror that lurk beneath the deceptively beguiling book covers of Edgar Allan Poe.

    “Strange and unexpected things wake up your mind. The wilder and more extraordinary the image, the more pleasure we gain from it. We are attracted to things that interest our curiosity more than fanciful things, they open up and stir your mind with new images and a way of thinking.” –Teri Wing

    Preview and presale for this exhibit will take place Tuesday, May 10th and Wednesday, May 11th. Exhibit opens to the general public for purchasing on Thursday, May 12th. 

    Opening Reception, with live music, will take place on Thursday, May 12th from 7-9pm. The artist will be in attendance. Masks are required while inside the gallery

    The Exhibition

    Not currently available – If you are interested in this, please contact us.
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    Artist Statement
    Poem by Teri Wing

    When I was a child, and nighttime fell, I’d hurry to bed, I remember it well.
    Get in, cover up, Dad turned out the light, close your eyes now, keep them shut tight.
    He read with a voice that was deep and low, saying the words with smoothness and flow.
    No not the nursery rhymes of the usual kind, something more chilling to stir up your mind.
    All entranced, with eyes open wide and mouth agape, visions and images were taking their shape.
    Mysteries, torment, and frightening things too, the lines in the poems all came into view.
    Unbelievable things of nightmares and dreams, this was a constant in all of his themes.
    Ravens and castles and the mist of a ghost, these were the ones that I loved the most.
    At the days end was a favorite time, getting the book for a wonderful rhyme.
    I have the book still, one you never outgrow, the stories and poems of Edgar Allan Poe.

     

    Artist Biography

    Teri Wing is an artist living in Gananoque, Ontario. Prior to being represented by Studio22, Wing sold her art independently from her home studio.  Inspired and excited by dramatic lighting, the artist paints with oils using palette knife and flat brush as well as cold wax as a medium to add layers and textures.

    Wing first joined Studio22 as a represented artist in February of 2019 and had her first solo ‘Counterpart’ in February of that same year. Today she is one of the gallery’s best selling artists. Wing volunteers giving art classes at her local Center for Community Living for people with mental and physical challenges.

  • Canada Obscura

    Canada Obscura

     

    Canada Obscura 
    by Lee Stewart

    April 12th – May 6th

    The only thing predictable about an exhibit by artist Lee Stewart is the nature of its unpredictability. As an indigenous mixed-race artist, Stewart sees and experiences the world differently than the majority. This sense of ‘otherness’ permeates his craft and is reflected in his art. Intense, high contrast colour combinations of black and neon, depict familiar scenes that attract the eye. Disguised within the juxtaposition of loose and detailed brushstrokes lurks an element of surprise and draws the viewer deep into his canvas. 

    As a lover of both historical and pop culture references, inside jokes and puns, Stewart has titled his latest exhibition Canada Obscura. These new landscapes, a series of scenes depicting nature and suburban life, were painted in his very own ‘dark chamber’; at night, during the pandemic, in lockdown. ‘Canada Obscura’ memorializes otherwise fleeting moments and captures beauty in the mundane. Executed with Stewart’s signature ‘expect the unexpected’ twist, this new exhibit is sure to intrigue first time buyers and collectors alike.

    Preview and presale for this exhibit will take place Tuesday, April 12th and Wednesday, April 13th. Exhibit opens to the general public for purchase on Thursday, April 14th. 

    Opening Reception, with live music, will take place on Thursday, April 14th from  7-9pm. The artist will be in attendance. Masks are required while inside the gallery.

    The Exhibition

    Not currently available – If you are interested in this, please contact us.
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    Not currently available – If you are interested in this, please contact us.
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    Artist Statement

    “I like the idea of being a visual vampire. My paintings can be alluring, but like vampires, their intentions are not exactly what they present on the surface. There is a constant push and pull.”

    Artist Biography

    Lee Stewart was born and raised in Kashechewan, a small remote reserve on James Bay, Northern Ontario. He spent years in the Rideau Lakes region, studied film and art history at Carleton University in Ottawa and then lived in Vancouver before returning to establish himself in Kingston.

    Stewart’s cultural influences are as vast as his lived experience, without hierarchy or elevated status. As a self-taught artist, Stewart’s experimentation, innate curiosity and openness continue to shape his evolving style.

  • United Gratitude

    United Gratitude


    United Gratitude 

    by Leah Hicks

    March 15th – April 9th

     

    Studio22 Fine Art is pleased to introduce new abstract paintings by artist, Leah Hicks.

    Hicks’ ethereal abstract canvases trigger a parasympathetic response where breathing slows, spirits lift, and a sense of calm envelops the viewer. Each piece is beautifully and purposely constructed with deliberate consideration placed on eye movement, color balance, and textural contrast. Her pieces have universal appeal. 

    This latest body of work not only celebrates the artist’s self-remodel following a life changing accident, but also speaks to her profound longing for a world where equality is universal, peace begets power and acceptance is society’s unifying force.



    Preview and presale
    for this exhibit will take place Tuesday, March 15th and Wednesday, March 16th

    Exhibit opens to the general public for purchase on Thursday, March 17th.

    Opening Reception will take place on Wednesday, March 16th from 4 – 6pm, artist will be in attendance. No food and drink will be served and masks are required. 

    We invite all who can to please come out to our Opening Reception and show our new, out-of-town artist, Leah Hicks, a big, warm Kingston welcome! 

    The Exhibition

    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
    Not currently available – If you are interested in this, please contact us.
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    Artist Statement

    “My artwork is pleasing to the eye and appeals to a wide array of people. I strive to create art that is versatile and timeless. Art is my salvation and constant partner; intense and full of passion.” – Leah Hicks

    Artist Biography

     

    Leah Hicks, born in 1978, is an abstract, acrylic and multimedia artist from Smiths Falls, Ontario. In 2005, a catastrophic car accident turned her passion for art into her salvation. Traumatic brain injuries left her suffering with double vision, an inability to speak clearly and functional limb weakness. She never gave up on her passion for art and learned to paint with her left hand instead of previously dominant right hand. Leah Hicks is represented by galleries in Ottawa, Toronto and Montreal. Her work has been collected by the Federal Government of Canada as well as held in many private collections.

  • UNEARTHED

    UNEARTHED

     

    An exhibit of new work by

    Phillida Hargreaves

     

    “Rocks are the exposed bones of the earth. Their size, solidity and longevity appeal to me, and the forces that form and sculpt them intrigue me. This series celebrates rocks in a number of detailed studies. Each frames the rocks as subjects of beauty in their own right, rather than as part of a larger landscape. I am interested in their form, texture and the subtle complexity of colours within them. I often pair the rocks with the plants that colonize them or the water that erodes them. Rocks change over time and it is these elements, plants and water, that bring about the changes. Their visual presence offers movement as a  contrast to the immutability of the rocks. Each piece is built up in layers. I start with whole cloth which is dyed, then painted, printed and drawn on with ink. I add pieces of transparent fabric and then I hand embroider the whole to add extra textural dimension. The rocks which have inspired me are local, national and international. They include rocks from Newfoundland, the Yukon, Iceland, the Colorado Plateau, the Canadian Shield, and our local limestone rock cuts and shoreline.” – Phillida Hargreaves

    The Exhibition

    The Artwork

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    THE ROCKS

     
    Phillida Hargreaves
     

    Phillida Hargreaves is an award winning artist who has been making and selling fibre art in the Kingston area for overs 20 years. Phillida’s first solo show with Studio22 was titled Narrow Spaces back in the Spring of 2014. Her work has been shown in Canada, the United States, France and England.

  • What lies beneath – by Kamille Parkinson

    What lies beneath – by Kamille Parkinson

    https://www.thewhig.com/entertainment/local-arts/what-lies-beneath
  • Studio22 confronts self-image in newest exhibits – Queen’s Journal

    Studio22 confronts self-image in newest exhibits – Queen’s Journal

    https://www.queensjournal.ca/story/2019-11-14/arts/studio-22-confronts-self-image-in-newest-exhibits/
  • FLESH AND BONE

    FLESH AND BONE

    A Joint Show of New Work by

    Margaret Sutherland and Jane Derby

     

    While Margaret Sutherland and Jane Derby have studios beside each other, the art they make couldn’t be more different, both in materials as well as subject matter.  It was during the course of a casual conversation over tea last fall that they discovered a technically sound and deeply thought provoking thematic link with respect to their current work. At the time, Sutherland was deeply preoccupied with the exploration of flesh and the study of the human figure, while Derby’s studies involved the examination of the human skeleton. It was out of this very conversation that the title and idea for this new exhibit, Flesh and Bone, was born.  Flesh and Bone, a joint show of new work by Margaret Sutherland and Jane Derby, will be on display at Studio22 from October 29th to November 30th. 

    “Of course, the subject matter flesh and bone necessarily references the concept of “Memento Mori”, the artistic or symbolic reminder of our mortality.  A common theme in figure painting and still life, the point of this reminder isn’t to be morbid, but to inspire an urgent sense of the meaningfulness of life.” – Jane Derby

    The Artwork

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    Margaret Sutherland is a Kingston-based artist who received national attention for the resale of her painting Emperor Haute Couture (2005), which depicted former Prime Minister Stephen Harper reclining in the nude, that sold privately to a buyer in B.C. for 4x’s its original sale price just ahead of her very successful exhibit – Roller Derby, Politics and Other Blood Sports – with Studio22 back in October of 2015. Sutherland’s work has, at its heart, a preoccupation with the cultural ideal of the body and society’s distorted perception of the external form. While bone structures are generally very similar, the flesh on top manifests itself in very different ways. Her work critiques the traditional rendering of the figure and exposes the judgement we place on one another and ourselves.

    Jane Derby, a native Kingston artist with a loyal and solid local following, uses a variety of techniques to repurpose discarded and everyday materials. Inspiration for her skeletal subject matter came from the winter she spent drawing at the Queen’s Anatomy Museum. Derby explores the notion of the bones and ribcage of the house. She chooses as material, lath, strips of wood left exposed in older houses where lath and plaster are replaced by drywall. The aging process created subtle differences in the colors of the wood, and the artist uses this as the substate on which she gouges and inks skeletal shapes. The work hints of the bones as fossils, bone structures buried deep in permanent material. 

    Flesh and Bone is a show of two separate, yet complimentary, bodies of work by two unique artists that viewed side by side reminds us of our own mortality and suggests that perhaps beauty is not only skin deep.

    A decade after graduating from Queen’s University in Arts and then Education, Margaret Sutherland formalized her professional art pursuit with a Master of Fine Arts (Cum Laude) in 2001 from the Graduate School of Figurative Art of the New York Academy of Art. Her highly sought oil paintings are in numerous private collections across the country. 

    Since graduating from OCAD with honors in 2007, Jane Derby has worked full time as an artist. Her work has been shown in Kingston, Ottawa and Toronto. Derby has won a number of prizes and awards, including the Environmental Spirit Award from the Recycling Council of Ontario. She is an active member of the Kingston arts community, organizing and jurying shows, participating in environmental action, and being on the board of the Organization of Kingston Women Artists.  This is her second exhibit with Studio22.

    Flesh and Bone is on exhibit at Studio22 from Tuesday, October 29th until Saturday, November 30th. Previews and pre-sales will take place from October 29th – 30th. Margaret Sutherland and Jane Derby will give a joint artist talk at the gallery that is open to the public on Thursday, November 21st at 5:15pm.

  • Studio 22’s newest exhibits blend nature & music

    Studio 22’s newest exhibits blend nature & music

    https://www.queensjournal.ca/story/2019-09-12/arts/studio-22s-newest-exhibits-blend-nature-and-music/
  • FUEL for Hibernation

    FUEL for Hibernation

    Share your love of art with the ones you love.

    November 3 to December 8, 2018

    Preview – October 30-31 / Pre-Sale – November 1-2

    Early access for Studio22 Subscribers

    Group Show featuring the work of

    Robert Blenderman, Bernard Clark, Jane Derby, Stefan Duerst, Debra Krakow, Molly McClung, Teresa Mrozicka, Susan Oomen, Rob Niezen, Susan Paloschi, Evelyn Rapin, Lee Stewart, Norman Takeuchi and Vadim Vaskovsky

    (All artwork priced under $500)

    CAN YOU GIFT A LOVE OF ART?

    The act of giving is engrained in many cultures – ritualized for a myriad of purposes – as rite, as reward, as gratitude.  A gift is many things.  It is not always of a physical nature, and a physical offering is not always the real gift. A pair of track shoes to the aspiring runner is a gift of opportunity.  A book to a child is a gift of an expanded mind.

    It is natural that we like to share the things we value.  In a world of ever expanding stuff, it is more important than ever that we find value in the things we choose to share.  We at Studio22 hold dear the idea that art is a gift. It elevates our state of mind and gives texture and colour to our imaginations.  In the words of Ezra Pound,

    Beauty in art reminds one what is worth while, I am not now speaking of shams.  I mean beauty, not slither, not sentimentalizing about beauty, not telling people that beauty is the proper and respectable thing.  I mean beauty.  You don’t argue about an April wind, you feel bucked up when you meet it.  You feel bucked up when you come across a swift moving thought in Plato or on a fine line in a statue.

    In acknowledgement of the gift-giving season, Studio22 is proud to present FUEL FOR HIBERNATION– an exhibit of art, all under $500, that ignites our thoughts to help us while away the dark hours of winter.  We invite you to share your love of art with those you love. Consider gifting a love of art.  We all deserve to feel bucked up.

    ***As well as this exhibit of art under $500, the gallery offers customized gift certificates – purchasable directly from our online store.

    The Artwork

    Not currently available – If you are interested in this, please contact us.
  • LOST PORTRAITS – New Works by Keight MacLean

    LOST PORTRAITS – New Works by Keight MacLean

    Keight MacLean would be the first to admit that there is something perplexing and paradoxical about great art. The challenge as an artist—especially one capable of approaching the latter—is to develop an aesthetic that both celebrates beauty and showcases their expertise, yet still stakes a claim on the radical inventiveness of artistic creation. That is, every artist must find her own unique voice.

    For MacLean, finding her voice has coincided with giving voice to forgotten and historically marginalized women. LOST PORTRAITS, her latest body of work, features MacLean’s traditionally inspired portraits, presented with a contemporary twist, such as fluorescent spray paint, re-harvested artists’ mediums and destructive techniques. Driven to explore new materials and apply experimental methods, MacLean is a natural student and calculating risk-taker. Working on surfaces of various sizes affords MacLean the freedom to explore new territory and makes her work accessible to a range of investors.

    MacLean’s dedication to her practice is impressive for an emerging artist. She credits her experience under the tutelage of Karen Peperkorn of Kingston’s Creative Arts FOCUS Program with helping to set her on her artistic path. A recent OCAD University graduate and an alumna of the school’s revered Florence Program, located in Florence, Italy, MacLean takes a holistic approach to her practice. She continually seeks out opportunities to establish connections with fellow artists, to broaden her audience, and to cultivate new collectors. Now based in Toronto, she has participated in various art fairs, such as Toronto Outdoor and the Artist’s Project, garnering an extensive following. Her paintings have been exhibited internationally and her work is in collections throughout Canada, the USA, Italy and the UK.

    Studio 22 is thrilled to welcome Keight MacLean home and to present LOST PORTRAITS, her first major solo exhibition in Kingston.

    LOST PORTRAITS will be on display at Studio 22, located at 320 King Street East, Kingston from September 12-October 28, 2017.

     

    The Artwork

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  • The Games of Love come and go

    The Games of Love come and go

    The Games of Love, come and go
    Paintings by Ndaté Sylla

    October 27 to December 6, 2015


    Exhibit Catalogue


    A series of 12 mixed media paintings on jute (the backs of recycled carpets).
    I was at the public garbage dump in Yverdon-les-Bains (Switzerland) to deposit household waste with my ex-girlfriend when I saw an old dirty and smelly roll of carpet. When I saw that the back of the carpet was actually lined with burlap cloth, I thought the carpets would be perfect for painting. This series of paintings illustrates part of our love and passion story.
    – Ndaté Sylla
    Biography
    As a French and Senegalese citizen, I graduated from Dakar National Fine Arts School, in Senegal. I have lived and worked in 4 different countries, on 3 continents (Canada, France, Switzerland and Senegal). I have now been living in Kingston for 11 months with my son Thierno and my dear wife Mélanie, to whom I dedicate this work.
    Exhibitions
    I had the great joy and opportunity to share my work with the public in these different places:
    2009 Painting exhibition at Café le 5e, Vevey, Switzerland
    2005 Painting exhibition at Café Luna, Lausanne, Switzerland
    2004-2005 Painting and sculpture exhibition at Gallery Nelly l’Eplattenier in Lausanne, Switzerland
    2004 Group painting exhibition at the Mansion Gallery in la Chaux-de-Fonds, Switzerland
    1999 Illustration exhibition at Lausanne’s City Hall, Switzerland
    1998 Illustration and poster exhibition at Blaise Senghor Cultural Center in Dakar, Senegal
    1998-1998 Participation to the 10th and 11th fairs in Fontenay-sous-Bois, Switzerland
    1997 Group painting exhibition «ARTS HORIZON» at the residence of the United States’ Ambassador in Dakar, Senegal

  • Citizen VOX

    Citizen VOX

    COLLECTION OF LOCAL ARTISTS DISPLAY POLITICAL WORK LEADING UP TO FEDERAL ELECTION.
     
    Citizen VOX
    A collection of Mixed Media Political Expressions
    September 15 to October 19, 2015
     
     
    With the election fast approaching, each citizen now wields the most dangerous of weapons — their opinion.  Whether striving for change or holding true to the current climate, Canadians are offered a chance to make their choice count on October 19th, 2015. 
     
    In the hopes of promoting the importance of voting and highlighting relevant personal and community issues, Studio22 has gathered a collection of mixed media political expressions. 
     
    Running from September 15 to the eve of the election, the exhibit incorporates visual art, music and the written word culminating in an open and interactive forum for political thought amongst known local artists and their community members. 
    Participating Artists include:
     
    Rebecca Cowan, Ben Darrah, Robbie Darling, Jane Derby, Robin Field, Claire Grady-Smith, Phillida Hargreaves, Margaret Hughes, Hersh Jacob, Molly McClung, Teresa Mrozicka, Cameron Schaefer, Ewa Scheer, Rebecca Soudant, Margaret Sutherland, Larry Thompson, and others.
    Citizen VOX was formed from submissions to our CALL TO ARTISTS / CALL TO ACTION  posted in June 2015.
  • Rebecca Cowan in her Studio

    Rebecca Cowan in her Studio

    Art finds itself in peculiar places, and artists even more so; pulling into the residential area nearby my former middle school – a region I regrettably beforehand regarded as lacking in creativity – I am reminded of that truth.

    Rebecca Cowan’s new prints carry a quality of grace only reinforced by the drawings they surround.

    Underneath a quiet house in a floral suburb lies a basement studio filled with rollers, plates, brushes, paints, papers, inks, carving tools, plexiglass, and one hefty iron printing press. The scene strikes me as reminiscent of group and educational studios I’ve visited, and Rebecca soon explains that she teaches art courses, and multiple other artists and students borrow the space when it’s available.

    The wall facing the stairwell is adorned with rows of her new works, spectral faces in layers of forest; the title “Nymphs” fits precisely the sense of magic suggested in the trees. Soft-featured and translucent, the faces float as if suspended in the first moments of relaxation.

    Sitting at a table, edges covered by tape securing a gridded plexiglass sheet to the surface, I listen as Rebecca happily explains her process; how she uses a variety of tools to etch spans of forest onto metal plates, printing multiple layers onto high quality, almost transparent Japanese paper (and driving to Toronto to buy it). The figure is drawn in coloured pencil on the opposite side from the print, the paper is adhered to a stained wooden panel, and sealed under clear acrylic. Although it is hard work, she jokes that it is far less stressful than her early forays with ink drawing.

    Rebecca is unfalteringly passionate about her work and eager to share, teach, and explore art. Remaining animated and enthusiastic throughout the interview, she shows a deep love for art, and the magic beauty that art shares with the world, that shows most clearly in the most dedicated of artists.

    Ascending the stairs from Rebecca Cowan’s basement studio and back into a regular, family home, one realizes that not only is art everywhere around you – it’s likely even under your feet.

  • Nymphs ~New Works in Mixed Media by Rebecca Cowan

    Nymphs ~New Works in Mixed Media by Rebecca Cowan

    nymphs-rebecca cowan

    Rebecca Cowan

     

    We do not want merely to see beauty… we want something else which can hardly be put into words- to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it. That is why we have peopled air and earth and water with gods and goddesses, and nymphs and elves.”
     C.S. Lewis

    This set of nymphs encompasses several of the themes I have been exploring in my work for some time. First, there is the notion that modern society continues to be influenced by ancient archetypes. Second, I have long been fascinated by the ways people show their public and private faces, and how secrets, dreams and desires are kept hidden. Most recently, a close examination of seasonal trees has led me to consider the importance of nature in our technology driven lives. And just as the images bring together a variety of thoughts and ideas, so does the technique.

    I have used a range of media and techniques to produce this work. Each piece begins as an intaglio monotype printed on semi- transparent Japanese paper. In most of the work, at least two different metal plates have been printed to create an illusion of the forest’s depth. Next, a coloured pencil drawing of the figure is done on the back of the printed image. Then, a wood panel is stained to enhance the colours of both the trees and the figure. The Japanese paper with its printed trees and drawn figure is adhered to the board. At that point additional drawing or painting, on the surface of the paper covered board, may be added. And finally the entire panel is coated with several layers of acrylic medium to seal the image.

     

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