Perhaps you’ve seen its shiny gold sign in art deco font on the northside of King Street beaming on a sunny day? Next time take a look inside and you’ll find a curation of Canadian art made up of work by 50% local artists and 50% artists from across Canada. Rest assured, you won’t be walking into a stuffy gallery filled with pieces that are only made to be admired from afar. You will find work created by artists inspired by Kingston’s incredible community and Canada’s stunning landscapes.
Overall, Miscellanea is playful but sometimes dark, humorous but sometimes sad, and occasionally mysterious for no good reason at all. As always, it’s the audience who tells the stories.
Seeing Eye to Eye July 7th– August 15th, 2020 Guitars and Moons by Vadim Vaskovsky In Her Golden Land by Teresa Mrozicka Guitar and Moons by Vadim Vaskovsky and In Her Golden Land by Teresa Mrozicka will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit period falls […]
Guitars and Moons by Vadim Vaskovsky will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit falls under Studio22’s 2020 vision idiom Seeing Eye to Eye and is showing concurrently to In Her Golden Land by Teresa Mrozicka.
In Her Golden Land by Teresa Mrozicka will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit falls under Studio22’s 2020 vision idiom Seeing Eye to Eye and is showing concurrently to Guitar and Moons by Vadim Vaskovsky.
Perhaps you’ve seen its shiny gold sign in art deco font on the northside of King Street beaming on a sunny day? Next time take a look inside and you’ll find a curation of Canadian art made up of work by 50% local artists and 50% artists from across Canada. Rest assured, you won’t be walking into a stuffy gallery filled with pieces that are only made to be admired from afar. You will find work created by artists inspired by Kingston’s incredible community and Canada’s stunning landscapes.
With a nod to the expression “20/20 vision,” Studio 22 Open Gallery on Market Square has launched a series of exhibitions for 2020 called “It’s a Vision Idiom.” . . . . The first of the series, titled “More than Meets the Eye,” has recently opened and features the work of painter Norman Takeuchi and fibre artist Phillida Hargreaves.
“Some years ago, as a way of coming to terms with my ethnicity, I began integrating into my predominantly abstract paintings images from traditional Japanese woodblock prints to illustrate the concept of duality – of being Japanese and Canadian.
“Rocks are the exposed bones of the earth. Their size, solidity and longevity appeal to me, and the forces that form and sculpt them intrigue me.”
Ending the decade and kicking off 2020 in a BIG way! Have you spent the better part of 2019 staring at blank walls? Have you dreamed of finding a perfect one-of-a-kind signature piece for your home or office? 2019 has been a great year for Studio22. We have had 8 successful solo shows as well as acquired a number of fabulous new artists. […]
What are we really seeing when we look at another person? This is one variant of a question that two new shows at Studio 22 seem to be asking.
Studio 22’s latest exhibition forces viewers to confront challenging questions about beauty, mortality, and self-image.
Flesh and Bone is a show of two separate, yet complimentary, bodies of work by two unique artists that viewed side by side reminds us of our own mortality and suggests that perhaps beauty is not only skin deep.
Human beings are wonderful actors. Our masks help us get into character and we call on our counterpart as needed to act out the scene as the script requires.
The paintings seen here represent my growing attention to landscapes, with nearly all subjects being only minutes away from my west Niagara studio.
Today Capolongo is perhaps best known for his classic still-life paintings featuring elegant oriental pottery, but recently he has also been painting landscapes in oils and acrylics. His patient approach to creating both still lifes and landscapes is a virtue that viewers can observe and savor.
THE HOUSE THE SPIRIT BUILDS: Coinciding with the Kingston WritersFest happening Sept. 25 to 29, Studio 22 is exhibiting a work that blends the visual and the literary arts.
THE CONCERT SERIES: Rapin’s The Concert Series was inspired by a concert she attended at The Isabel Bader Centre while sitting in the front row in 2017.
Rapin’s work highlights the harmonious intersection of two art forms and encourages the
viewer to explore and celebrate the aesthetics and powerful psychology of music.
The House the Spirit Builds reminds us that joy and inspiration can be found in the smallest
of things and that it is in our quest for a sense of belonging that we are united. The poems and
photographs seen together are an invitation to expand our sense of wonder and our sense that all
things are connected.
What does it mean to have a strong personalized vision in the face of decades of stylistic traditions and particular expectations about cultural art production?
