Get off the couch, call the babysitter, make that downtown dinner reservation and come immerse yourself in art! During the month of October, Studio22 will be hosting “Date Night” at the gallery, Friday nights from 7:00-10:00pm. October 1st, 8th, 15th, 22nd and 29th, Studio22 will be opening their doors late night and welcoming you and […]
Kintsugi, also known as kintsukuroi, has become a powerful emblem, not for brokenness, but for wholeness despite the shockwaves in life. It is not about finding beauty in chaos or tragedy, it is a symbol – like the cross is to Christians – of faith and perseverance, of the belief that victory, success and wholeness are often realized through the challenges of life, if we rise to those challenges.
Victor Oriecuia, a Kingston-based stone carver is passionate about his calling. With no rigid rules or expectations, he freely carves, both Italian and local Ontario marble, to evoke his senses and appease his passion. He utilizes the direct carving method, a method which requires no model or predetermined outcome…a method which relies heavily on faith.
Much of her art practice is an exploration of music and its many facets whether it is a particular musical work, a structure of music or a composer’s creative process. . . . She is a great believer in connections and cross pollination between art forms as she relies on a lifetime of aesthetic influences.
In an interview with The Journal, Olson and Krakow discussed their painting careers and creative processes.
These paintings and drawings delight in conversations and celebrations. The cakes are inspired by vintage images from Betty Crocker’s New Picture Cookbook from the 60’s given to my mother when she was married. . . . The smaller pastels are about conversations where the objects take the place of people. Larger pieces are a closed circuit of communication, dialogues or soliloquies or larger conversations about more formal elements of a painting.
There are people in these paintings, but they’re not portraits. They’re about communing with nature, sun warming our shoulders, wind ruffling our hair, grass cool and damp under our bare feet.
Perhaps you’ve seen its shiny gold sign in art deco font on the northside of King Street beaming on a sunny day? Next time take a look inside and you’ll find a curation of Canadian art made up of work by 50% local artists and 50% artists from across Canada. Rest assured, you won’t be walking into a stuffy gallery filled with pieces that are only made to be admired from afar. You will find work created by artists inspired by Kingston’s incredible community and Canada’s stunning landscapes.
Overall, Miscellanea is playful but sometimes dark, humorous but sometimes sad, and occasionally mysterious for no good reason at all. As always, it’s the audience who tells the stories.
Seeing Eye to Eye July 7th– August 15th, 2020 Guitars and Moons by Vadim Vaskovsky In Her Golden Land by Teresa Mrozicka Guitar and Moons by Vadim Vaskovsky and In Her Golden Land by Teresa Mrozicka will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit period falls […]
Guitars and Moons by Vadim Vaskovsky will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit falls under Studio22’s 2020 vision idiom Seeing Eye to Eye and is showing concurrently to In Her Golden Land by Teresa Mrozicka.
In Her Golden Land by Teresa Mrozicka will open on Tuesday, July 7th and run until Saturday, August 15th. This vibrant, colourful and uplifting exhibit falls under Studio22’s 2020 vision idiom Seeing Eye to Eye and is showing concurrently to Guitar and Moons by Vadim Vaskovsky.
Perhaps you’ve seen its shiny gold sign in art deco font on the northside of King Street beaming on a sunny day? Next time take a look inside and you’ll find a curation of Canadian art made up of work by 50% local artists and 50% artists from across Canada. Rest assured, you won’t be walking into a stuffy gallery filled with pieces that are only made to be admired from afar. You will find work created by artists inspired by Kingston’s incredible community and Canada’s stunning landscapes.
With a nod to the expression “20/20 vision,” Studio 22 Open Gallery on Market Square has launched a series of exhibitions for 2020 called “It’s a Vision Idiom.” . . . . The first of the series, titled “More than Meets the Eye,” has recently opened and features the work of painter Norman Takeuchi and fibre artist Phillida Hargreaves.
“Some years ago, as a way of coming to terms with my ethnicity, I began integrating into my predominantly abstract paintings images from traditional Japanese woodblock prints to illustrate the concept of duality – of being Japanese and Canadian.
“Rocks are the exposed bones of the earth. Their size, solidity and longevity appeal to me, and the forces that form and sculpt them intrigue me.”
Ending the decade and kicking off 2020 in a BIG way! Have you spent the better part of 2019 staring at blank walls? Have you dreamed of finding a perfect one-of-a-kind signature piece for your home or office? 2019 has been a great year for Studio22. We have had 8 successful solo shows as well as acquired a number of fabulous new artists. […]
What are we really seeing when we look at another person? This is one variant of a question that two new shows at Studio 22 seem to be asking.
Studio 22’s latest exhibition forces viewers to confront challenging questions about beauty, mortality, and self-image.
Flesh and Bone is a show of two separate, yet complimentary, bodies of work by two unique artists that viewed side by side reminds us of our own mortality and suggests that perhaps beauty is not only skin deep.
Tuesday – Saturday
12:00pm – 5:00pm
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