Emerging from isolation ~ Whig Standard – Kamille Parkinson

Margaret Sutherland is one such artist who sought varied means to engage with her art production in relative isolation. The results of her challenges were in an exhibition at Studio 22 on the Market Square, which ended on Friday. Titled “Normal/Abnormal,” the exhibition traced (in the artist’s own words) her “bumpy, frequently interrupted artistic and personal ride of the past three years.”

PERSISTENT

Persistent explores women living their lives, pushing past adversity and trying times to achieve their goals during an era when women were seen first as their gender, and second as people.

COLOUR BLAST – Erika Olson

Erika Olson’s new solo exhibition features a return to the large colourful abstracts which marked the early days of her painting career.

LOST PORTRAITS – New Works by Keight MacLean

LOST PORTRAITS, her latest body of work, features MacLean’s traditionally inspired portraits, presented with a contemporary twist, such as fluorescent spray paint, re-harvested artists’ mediums and destructive techniques.

Osvaldo Gonzalez Herrera

Working in a variety of forms, from painting and graphic arts to humorist drawing, Osvaldo González Herrera studied art in his native Cuba. In 2013, Herrera relocated to Montreal, where he continues to work as a painter and graphic artist. His work has been shown in several solo and collective exhibitions, both in Cuba and internationally.

Horizons – Exhibition

Debra Krakow’s large abstract acrylic paintings on exhibit at Studio22.
April 12th to May 15th, 2016

HORIZONS – New Works by Debra Krakow

All it takes is the subtlest hint of a horizon line for our minds to see landscape in an abstract painting. We’re drawn to wide-open spaces and expansive views, and landscape paintings connect us to these places. The concept of abstract landscape allows me incredible artistic freedom and yet grounds the work in visual experience. – Debra Krakow

Days & Nights – New works by Vadim Vaskowksy

Some of the images are done in the day light, some worked out under electric light during the nights. My seven month old daughter Maria gives me such charmed smiles that I can ignore them only when she sleeps. Thus, I often work at night.

Crows ~ New Acrylic Paintings by Debra Krakow

On clear mornings I could see for miles and miles; by mid-afternoon we were usually in the clouds. The crows would swoop down from the woods behind me and soar out over the valley below. I loved watching them from this vantage point.

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